Arriving just at the moment in which Christopher Nolan’s The Odyssey was dominating the box office, Wolfgang Petersen’s popular and polarizing adaptation of Homer’s first epic poem arrives in a jam-packed special edition, courtesy of Arrow Films. Loosely based on… Read More ›
Sean Bean
“Deep Cover” goes mission: critical by forgetting a basic rule of delivery — don’t ask for the laugh. [Tribeca]
Given the opportunity to work with strangers or friends, chances are “friends” is going to win out every time. Doing so provides a comfortability to do things one might not ordinarily do, or, at the very least, allow one to… Read More ›
“Possessor” is a cinematic experience unlike anything else this year.
There’s something particularly wonderful about a film that challenges you, one which unnerves, unsettles, and burrows in, prompting contemplation past its clear end. This happens with joyful films like Over The Moon (2020), whose infectious songs linger, instilling a desire… Read More ›
“Possessor” is a gruesome, ugly, and morally repugnant film and you’ll love every minute of it.
Hollywood nepotism can be frustrating at times. With so many burgeoning actors and filmmakers bursting onto the scene in their family member’s footsteps, it can sometimes feel unfair to the whole selective process that weeds so many quality filmmakers out… Read More ›