Prior to 2024, Oz Perkins was a somewhat niche indie filmmaker who had already built a nice little fanbase thanks to his early films The Blackcoat’s Daughter (2015), which follows a young girl who may or may not be possessed… Read More ›
Rossif Sutherland
Cat-and-mouse horror thriller “Orphan: First Kill” is another rip-roaring good time with one truly bad bitch.
Spoiler Warning: This review will quickly spoil the major twist revealed at the end of Orphan (2009), but not for Orphan: First Kill (2022) because I’m not a sadist. There’s something wrong with Esther, and it has been for much… Read More ›
“Possessor” is a cinematic experience unlike anything else this year.
There’s something particularly wonderful about a film that challenges you, one which unnerves, unsettles, and burrows in, prompting contemplation past its clear end. This happens with joyful films like Over The Moon (2020), whose infectious songs linger, instilling a desire… Read More ›
“Possessor” is a gruesome, ugly, and morally repugnant film and you’ll love every minute of it.
Hollywood nepotism can be frustrating at times. With so many burgeoning actors and filmmakers bursting onto the scene in their family member’s footsteps, it can sometimes feel unfair to the whole selective process that weeds so many quality filmmakers out… Read More ›