Times are so tough that even Hamlet no longer dreams of shadows. Instead, as Riz Ahmed (Sound of Metal; Bait) says of the Prince he dreamt his whole life of playing “Hamlet is someone who is grieving the illusion that… Read More ›
Riz Ahmed
David Mackenzie’s gripping thriller “Relay” arrives on home video without any features.
With the ongoing, continuously exhausting debate that goes on in physical media/cinephile circles about streaming vs. owning a movie and that whole conversation, it is *always* a win when a movie, regardless of anything about the movie, gets a release… Read More ›
Wes Anderson’s “The Phoenician Scheme” negotiated a home release but with meager offerings in bonus features.
Storyteller Wes Anderson broke onto the scene with 1994’s Bottle Rocket and hasn’t really looked back. He’s developed a signature style while assembling what’s best described as a theatrical troupe, a set of actors who relish the chance to return… Read More ›
In a period of uncertain times, “Nimona” celebrates the rejects.
“Fear makes the wolf bigger than he is.” – German proverb. In the stories we tell, if there’s a hero, there’s a villain, someone for the bold and courageous to conquer; otherwise, how are they to be bold and courageous?… Read More ›
Darius Marder’s award-winning “Sound of Metal” joins the Criterion Collection.
Of the many things that occurred as a result of COVID-19 in 2020, as it related to the film industry, was that movies were either pushed over and over, rescheduled to a later date entirely, or sold to streamers. Films… Read More ›
The Cine-Men: 93rd Academy Awards, Part II
Continuing our discussion of the top six categories, The Cine-Men co-hosts Darryl Mansel and myself dig into the Actor in a Leading Role, Best Director, and Best Picture nominees. As usual, Darryl and I pull no punches as we dissect… Read More ›