What was once a little niche, a little subversive, as a narrative tool, zombies are now so totally mainstream that they’ve become incorporated in everything including comic books (Marvel Zombies), video games (Call of Duty Zombies; Dying Light), and countless… Read More ›
There is something that gets me particularly giddy when a studio releases a catalogue title on 4K and it’s not coming from a boutique. To be clear, there is nothing against boutiques, but when looking at a blind buy (from… Read More ›
Before comic films were cinematic, extended, or otherwise franchise driven, they were more often singular. It’s hard to believe given the proliferation of them today, however, before the 1990s, major studio cinematic comic adaptations were limited to Superman (1978) and… Read More ›
‘Tis the season where, no matter the denomination, one is either characterized as “full of spirit” or a “grinch.” The description of such a person who rains of holiday cheer (or cheer of any kind) is directly tied both in… Read More ›
In 2021, the world got to see Guillermo del Toro’s (Frankenstein) newest feature, Nightmare Alley, which he co-wrote with Kim Morgan (Seances) and adapted from William Lindsay Gresham’s novel of the same name. While there was some divide on this… Read More ›
The western is primarily an American genre with its focus on remote areas with unfriendly individuals, typically involving conflict between those enforcing and those outside the law. Though rooted in the period of expansion west in the United States and… Read More ›
Trigger Warning: The following review touches on topics directly related to the narrative involving death, terrorism, and sexual assault. The summer of 2001 was the perfect time for the release of Swordfish. Audiences had been primed for it thanks to… Read More ›
Bethany: Having beliefs isn’t good? Rufus: I think it’s better to have ideas. You can change an idea. Changing a belief is trickier… — Dogma (1999) There are some directors whose work influences you in surprising ways. Of the many… Read More ›
We could sit here and discuss space nonsense for decades and decades ad nauseum about how horror franchises love to jump the proverbial shark and take their franchise to new and incredibly dumb heights. Hellraiser did it with their fourth… Read More ›
If you’re a completist then you most likely have seen Jason Goes to Hell, the ninth movie in the Friday the 13th franchise. It’s arguably not a *good* movie but is absolutely delightful, taking the series of films in a… Read More ›
Clint Eastwood has always been on-point with his direction and performances, so, while I say that Pale Rider (1985) wasn’t as engaging as The Outlaw Josey Wales, it is not to say that either are lacking, because they’re not. I’m… Read More ›
The Outlaw Josey Wales (1976) is one of Clint Eastwood’s earlier directed films and is now being released for the first time in 4K by Warner Brothers. The gorgeous transfer presented in this home release will astound audiences who are… Read More ›
When a studio releases a film versus when a boutique releases a film, there can be, on occasion, a little worry that the former won’t be the *best* version of the release. There are always exceptions to the rule, of… Read More ›
The ‘80s were a decade of decadence. Whimsical fashion, music, and media reigned pop culture. This was especially true with the films of the era. The year 1984 saw Warner Bros. release both Purple Rain, a semi-biographical concert film starring… Read More ›
While action has been a staple element of cinema since its creation, not all films which use action are viewed the same. For some reason, the bigger the budget, the larger the presumption that the film is good or “of… Read More ›
When 2022 was happening and the announcement that Quentin Tarantino’s first feature ever was going to be released in 4K, everyone was foaming at their mouth with anticipation that not only was this going to be a *good* release but… Read More ›
“The Bride: You and I have unfinished business. Bill: Baby, you ain’t kidding.” – Kill Bill, Vol. 2 (2004) It’s 2025 and filmmaker Quentin Tarantino is actively developing his 10th, and rumored final, film. Though incredibly divisive for the dialogue… Read More ›
Between the end of 2023 and through 2024, several beloved films in filmmaker James Cameron’s catalog have received the 4K UHD treatment. Most recently, Warner Bros. Pictures released the technohorror action The Terminator on 4K UHD for its 40th anniversary and,… Read More ›
Blazing Saddles (1974) is something so outstandingly outlandish and bold and still something that is wholly expected because it’s Mel Brooks. It is one of the most outlandish, hilarious, brilliant comedies of the 20th century and for it to be… Read More ›
James Cameron is finally releasing his backlog of game-changing films on 4K. The recent releases of Titanic (1997), The Abyss (1989), and True Lies (1994) have had varied reception but mostly praise on the painstaking process of achieving clear visuals… Read More ›