There are some works of science fiction that never seem to let go once they get their grasp on society. William Gibson’s Neuromancer was published in 1984, but it still felt just as vital and prescient when I read it… Read More ›
Writer/director Lisa Joy’s neo-noir feature debut “Reminiscence” offers a new perspective on a time-tested genre.
There’s an interesting line in writer/director Lisa Joy’s Reminiscence, which suggests that our past doesn’t haunt us. It’s gone. We, however, through our memories, haunt it by revisiting moments in our mind over and over. There’s psychological proof of this… Read More ›
There’s something about Stanley Kubrick’s adaptation of Stephen King’s novel The Shining that’s gripped audiences for nearly four decades despite factors which one might presume would detract from its popularity. Kubrick quite famously tortured Shelley Duvall on set to a… Read More ›
Doctor Sleep marks the fifth major adaption of a Stephen King work in 2019 alone, joining the theatrically released Pet Sematary and It: Chapter Two, Netflix’s In the Tall Grass, and Hulu’s original series Castle Rock. Adapting King novels and… Read More ›
There are few cinematic franchises as consistent in delivering action and thrills as the Mission: Impossible franchise. While not as institutionalized as the James Bond: 007 series nor as gratuitous as the Fast & Furious franchise, the Mission: Impossible films… Read More ›
December ushers in two types of films: the prestige pictures (The Post, The Disaster Artist) and the family-friendly pictures (Pitch Perfect 3, Jumanji: Welcome to the Jungle). Then there’s The Greatest Showman, a film that offers an anthemicly-infused look into… Read More ›