Back in April, at the beginning of a particularly sleepy 12-hour shift manning the box office of the downtown Durham theatre in which I work, I opened A.M. Shine’s The Watchers on my Kindle, having impulsively downloaded it via the… Read More ›
Olwen Fouéré
The whole of “Tarot” is as entertaining as its depiction of the practice is accurate.
I have a friend who is witchy in that they love to imbibe tarot readings and other spiritual practices of the same ilk, and when I sent them the trailer for the new home media release from Sony Pictures, Tarot… Read More ›
Intriguing concepts are diluted by abandoned threads in Paul Duane’s folklore horror “All You Need is Death.” [Beyond Fest]
Before the written word carried the words of the present into the future, the oral tradition was used to safeguard family and cultural histories. This method, though reliant on the memory of the custodian, still remains a valued part of… Read More ›
Even by franchise standards, “Texas Chainsaw Massacre” is unceremoniously DOA.
The Texas Chainsaw Massacre franchise has been pretty brutal as a whole, and I’m not talking about the films’ violent content. Ever since the 1974 original from Tobe Hooper, there has been a major struggle with creating sequels, remakes, and… Read More ›
Thriller “Sea Fever” unsettles, yet is somehow optimistic.
When writer-director Neasa Hardiman originally crafted the new suspense-thriller, creature-feature hybrid Sea Fever, it is highly unlikely that she could have forecasted its remarkable relevance to the current state of the world. With the pandemic of COVID-19 impacting the daily… Read More ›
Director Panos Cosmatos’s second feature “Mandy” is an epic tale of heavy metal, demons, and blood.
Some films need to be seen and experienced to be believed; where rumor becomes hype and gives way to the possibility of a false god or a new revelation. As with all things, where you fall depends on how well… Read More ›