Reminders of Him is a needlessly self-conscious film. Like the Nicholas Sparks canon before this Colleen Hoover wave (It Ends with Us; Forgetting You), the film plays melodrama as grounded drama, which often drives stray target-audience members, like unaware boyfriends,… Read More ›
There’s a common misconception that stories, by nature of being broadcast or shown in a theater, condone behavior, justifying choices, always, simply because they are the behaviors and choices of the main character. This is an egregious failure of media… Read More ›
For a film as cold and icy as Longlegs is, the world really ran a fever for it in the heat of a climate-change ridden summer. The crime horror film from Osgood Perkins (The Blackcoat’s Daughter), financed independently at C2… Read More ›
When you think of the scariest films you’ve ever seen, what is it about them that truly scares you? Is it the immediate fear of being gutted by a silent, masked killer? Is it the ethereal impermanence of a ghostly… Read More ›
EoM Senior Interviewer Thomas Manning recently sat down with God is a Bullet producer Michael Mendelsohn to talk about his work on the Nick Cassavetes-directed film, including the adaptation process for this project based on the novel by Boston Teran. Mendelsohn… Read More ›