Ever since 2015’s The Witch, Director Robert Eggers has proved his genre supremacy. Whether it be the quirky horrors of The Lighthouse (2019) or the violent Viking delights in The Northman (2022), every movie in Egger’s catalog continues to showcase… Read More ›
In the liminal space between myths and truth, magic and science, lie all the things that go bump in the night, the things that exist to haunt us, to unnerve us, to compel us to question our reason despite evidence… Read More ›
When done right and a movie captures the time period in which it’s set pitch-perfectly, it is a reflection of its audience and resonates so much deeper and more personally with those of that era. Some movies that come to… Read More ›
At first glance (or first trailer), Sean Wang’s directorial debut Dìdi (弟弟) (Chinese for “younger brother”) may seem like an empty rehash of other contemporary coming-of-age films like mid90s (2018) or Eighth Grade (2018), but to my surprise, there is… Read More ›