One of the more unmentioned action thrillers by wider audiences is director/co-writer Jung Byung-gil’s The Villainess (2017). It’s a story about a female assassin, how she got to where she is, and how she attempts to extricate herself from the… Read More ›
There’s a subgenre in film that features a very simple and comfortable setup: retired/reclusive individual meets a young individual, forms a bond (often reluctantly), young individual gets into trouble (usually kidnapped) causing the retired/reclusive individual to jump back into action…. Read More ›
After a release in 2021, first-time feature director Shinzô Katayama’s (Mother, third assistant director) horror/thriller Missing (さがす) is having its North American premiere during Fantasia International Film Festival 2021. The concept of the film seeks to join the likes of… Read More ›
There can be just as much enjoyment in going on a journey you do know as in venturing on one marked by unfamiliar terrain. The predictability of something brings comfort, while something peculiar offers its own enticements. Writer/director Yoon Jae-keun… Read More ›
There are some films that come along and you think to yourself “I need to see this.” It’s how I felt with the announcement of Everything Everywhere All At Once (2022) and The Unbearable Weight of Massive Talent (2022), but… Read More ›
As much fun as it is streaming entertainment, there’s something about being able to hold the film in your hand. To know that it doesn’t matter if your Internet is on the fritz or if your streaming device can handle… Read More ›
Picked by South Korea to represent them at the 2022 Oscars, director Ryoo Seung-wan’s Escape from Mogadishu is an adaption of the real events in which rival diplomats had to work together to survive as civil war broke out around them…. Read More ›
Returning to the director’s seat for the second time, Hong Won-chan trades murder most foul within the blue collar arena for the underbelly of Asia and Southeast Asia in Deliver Us From Evil (다만 악에서 구하소서). In a film that’s… Read More ›
One of the great things about boutique distributors like Criterion, Arrow, Vinegar Syndrome, and others is that whether a film is lost or beloved, they find new life via a new release. Even though the major studios are starting to… Read More ›
Ahead of The Swordsman‘s home release on February 16th, EoM has partnered with Well Go USA to offer up a Blu-ray copy of the film to two lucky winners! If you’ve enjoyed their prior releases like The Villainess (2017), Furie (2019), or Shadow (2019),… Read More ›
When the first description of a film includes something like “from the studios which brought you [insert film title here],” it’s rarely a good sign. Rather than trying to stand on its own merit, this new property is relying heavily… Read More ›