Director Derek Cianfrance is a filmmaker who is near and dear to my heart. His 2013 film The Place Beyond the Pines hit me on a deep emotional level with its themes of fatherhood and legacy. Even with its heavier… Read More ›
Kirsten Dunst
“Small Soldiers” is back and in 4K to remind everyone that everything else is just a toy.
There are dueling sentiments in the cinephile community: not everything needs a new edition and film preservation on physical media matters. Given the shift toward digital consumption which removes ownership from the viewer and keeps it steadily in the hands… Read More ›
Alex Garland is back to his bar-raising ways with immersive “Civil War.”
The honeymoon phase of Alex Garland’s directorial career, beginning in 2015 with Ex Machina, felt unlike anything we had seen from a genre filmmaker in ages, a miracle of sorts. A long-time screenwriter and novelist, Garland’s foray into directing his… Read More ›
The Cine-Men Awards Chat: Supporting Categories with special guests Lindsey Dunn and Joel Winstead.
The 94th Academy Awards are nearly upon us which means it’s time for the annual Awards Chat episodes of The Cine-Men! This time around, co-hosts Darryl Mansel and myself are joined by NCFCA members Lindsey Dunn and Joel Winstead to… Read More ›
Don’t blink. Don’t move. Writer/director Jane Campion’s western thriller “The Power of the Dog” compels you to heel.
Director Jane Campion’s (The Piano) latest project is an adaptation of author Thomas Savage’s 1967 novel The Power of the Dog. Her film, a taunt western-drama, chronicles the intersecting lives of two families across several months in Montana 1925. Each… Read More ›
Though audacious and bold, ‘Woodshock’ fails to be more than art house ephemera.
Studio A24 has built a reputation on bold approaches to cinematic storytelling. Rarely intended for wide audiences, their films are frequently quirky, insightful, and psychologically challenging, offering a risky experience for filmgoers used to the straight-and-narrow approach of larger studio… Read More ›
“The Beguilded” is an abject lesson in betraying Southern women
On a hot southern morning, with the fog still making its way through the woods, a twelve-year-old girl hunts for mushrooms accompanied by the sound of cannon fire in the distance as the Civil War rages outside the wood. Soon she finds a hurt man hiding among the leaves and dirt at the base of a tree. Though he’s a Union soldier in these Confederate lands, his wound is severe and she does the only thing she can – takes him to her nearby seminary for aid. There, while passed out from pain, his fate is decided by seven women who, in turn, decide their own.