Inequities of man are met with protests. Some agree and the voices get louder, some disagree and tell them how to protest. Then lives are lost unnecessarily and protesters get angry, taking to the streets to confront their government. To… Read More ›
Depending on who you talk to, there have either been not enough movies out to see this year or too few. Even without standard theaters being active, there’re still drive-ins, broadcast, and streaming options, many of which the studios have… Read More ›
In times of great stress like these, it’s important to remember what gets us through: art. Art, of course, can be anything from clothes, food, movies, projects, music, and more. They are the things which bring us joy and help… Read More ›
There’s an authenticity that radiates outward from every frame of writer/director Stella Meghie’s The Photograph. One thing that keeps being repeated in each of the three brief featurettes included with the home release of The Photograph is the simplicity of… Read More ›
Writer/director Stella Meghie’s (Everything, Everything) new film, The Photograph, is a drama/romance depicting two love stories (one in the past, one in the present) connected by a picture. That description just scratches the surface of Meghie’s tale which examines not… Read More ›
“Stick to what you know” is something we’re told as kids to keep us stuck to the ways we’re used to and to not question authority, keeping us confined. It’s an adage that unfortunately sticks in many of our minds… Read More ›
Audiences cultivate a certain expectation depending on the film distributor. With Warner Bros. Pictures, odds are you’re getting something fairly mainstream; whereas A24 almost always releases genre-pushing indies. In the middle lies Neon, where it handles mainstream documentaries like Apollo… Read More ›
All art walks a line between reality and intention. This is made more complicated when the reality and intention the artist puts forth conflicts with that of the receivers. In many ways, the artist themselves becomes unimportant in comparison to… Read More ›
2018’s rife with surprising films running the gamut of genres, styles, and realities. Madeline’s Madeline, Sorry To Bother You, Mandy, and The Endless, to name of a few, are among those that took something basic and turned it into magic…. Read More ›