Writer/director Stella Meghie’s (Everything, Everything) new film, The Photograph, is a drama/romance depicting two love stories (one in the past, one in the present) connected by a picture. That description just scratches the surface of Meghie’s tale which examines not… Read More ›
“Stick to what you know” is something we’re told as kids to keep us stuck to the ways we’re used to and to not question authority, keeping us confined. It’s an adage that unfortunately sticks in many of our minds… Read More ›
Audiences cultivate a certain expectation depending on the film distributor. With Warner Bros. Pictures, odds are you’re getting something fairly mainstream; whereas A24 almost always releases genre-pushing indies. In the middle lies Neon, where it handles mainstream documentaries like Apollo… Read More ›
All art walks a line between reality and intention. This is made more complicated when the reality and intention the artist puts forth conflicts with that of the receivers. In many ways, the artist themselves becomes unimportant in comparison to… Read More ›
2018’s rife with surprising films running the gamut of genres, styles, and realities. Madeline’s Madeline, Sorry To Bother You, Mandy, and The Endless, to name of a few, are among those that took something basic and turned it into magic…. Read More ›