The phrase “style over substance” is a common complaint regarding certain films. In these instances, some films can be so aesthetically pleasing that they lose sight of the story. Such films can craft well-drawn characters and a richly detailed sense… Read More ›
How does one describe Gaspar Noé and his films to the uninitiated? “Unconventional” barely scratches the surface of what covers the vast swath of aggressive, assaulting, psychedelic, hypersexual, ultra-violent, anxiety-ridden, nihilistic, and overwhelming trademarks that pervade Noé’s body of work…. Read More ›