Director Terry Gilliam has always been a difficult talent for me to connect with. His films relish in a level of weirdness that never lands as intended. Movies like Time Bandits (1981) and 12 Monkeys (1995) never left a significant… Read More ›
Jonathan Pryce
“William Tell” translates the heroic myth into a by-the-numbers historical fiction.
Content Warning for implied sexual assault. In the subgenre of historical epics, there are those based on real events (Lawrence of Arabia (1962); Rob Roy (1995)) and those inspired by legend (Excalibur (1981); Robin Hood: Prince of Thieves (1991)). In… Read More ›
Director Terry Gilliam’s sixth Criterion Collection entry is the comedic fantasy “The Adventures of Baron Munchausen.”
You can often tell a bit about a person based upon where they know an artist or creative from. Specifically, what period of their work. For instance, if someone were to mention the musician Sting, they could just as easily… Read More ›
Yo, Joe! America’s Movable Fighting Man gets the 4K UHD treatment in the re-releases of the first two live-action “G.I. Joe” films.
There are two clear ways in which one engages with this decades-old toyline from Hasbro: there’re the greatest toys ever *or* they are a propaganda tool for the U.S. military. It can be both at the same time, mind you,… Read More ›
The Cine-Men, Special Episode: 92nd Academy Awards – Part II
As we near the 92nd Academy Awards, The Cine-Men co-hosts brave to discuss the big six categories: Supporting Actor/Actress, Lead Actor/Actress, Directing, and Best Picture. To tackle this mighty feat, the duo broke each category into its own minisode with… Read More ›
Fernando Meirelles’s “The Two Popes” explores the push-pull involved in church reformation via the conversation of two old men. [Film Fest 919]
In another life, I swear I’d be Catholic. Of course, I’m too much of a dirty sodomite to get away with it in this life, but something about the sheer pageantry of it all feels more like drag than RuPaul’s… Read More ›