As more and more legacy sequels release due to studios mining their IPs for anything they think will resonate with audiences off the name alone, a follow-up to director Tony Scott’s Top Gun (1986) seemed all the more inevitable each… Read More ›
“Confess, Fletch” doesn’t miss a step after the character’s 33-year absence in film.
If you’re an adult of a certain age, when you hear the name “Fletch,” you immediately think of Chevy Chase. Across two films, Fletch (1985) and Fletch Lives (1989), audiences watched the fast-lipped investigative reporter find his way into and… Read More ›
Strap in, Ghostrider. “Top Gun: Maverick” is a blockbuster film in every fiber of its being.
I would like to make an illicit confession to you, dear reader: I do not particularly care for Tony Scott’s 1986 film Top Gun. I don’t hate it, or even actively dislike it, but I certainly view the film in… Read More ›
Director Clint Eastwood raises the question of social justice in “Richard Jewell,” now available on home video.
In 1996, during the Summer Olympic games, a bomb went off in Atlanta’s Centennial Olympic Park, killing one and hurting many others. Though it was security guard Richard Jewell who found and alerted police to a suspicious package at the… Read More ›
“The Report” has all the makings of a bombshell political drama without the pizzazz or flare. [Film Fest 919]
There’s an argument today that everything is hyper-politicized, from our news to our movies to the signs lining the freeway during our daily commute. It’s a hard thing to escape and being exposed constantly to it can rightfully feel exhausting…. Read More ›
Make your reservations now for some “Bad Times at the El Royale”.
Writer/director Drew Goddard is no stranger to a good mystery. Having made his bones writing for shows like Buffy the Vampire Slayer, Angel, and Alias, he went on to write 2008’s Cloverfield and co-write 2012’s The Cabin in the Woods,… Read More ›
Buckle your seatbelt and crank the volume to 11, “Baby Driver” is a foolproof summertime cinematic mixtape.
From the opening credits, Edgar Wright’s motor-fueled caper, Baby Driver, eschews triviality in favor of funky beats, hot action, and one particularly cool driver. After premiering at SXSW this year, Baby Driver’s done nothing but build excitement through the rousing… Read More ›