2019’s surprise of the holiday season was writer/director Rian Johnson’s Knives Out, a whodunit that takes all the hallmarks of the great mystery writers and gave it his own spin. First, there’s the rich family where motive is everywhere and… Read More ›
Jessica Henwick
Director Rian Johnson’s “Glass Onion: A Knives Out Mystery” maintains the magic of the absurdist mystery in this setting outing. [Film Fest 919]
Three years ago, Rian Johnson’s humble follow-up to …let’s just say, polarizing… Star Wars: The Last Jedi came out in the form of Knives Out. Unlike said film set in a galaxy far far away, the consensus on Knives Out… Read More ›
It’s just another Thursday in the star-studded action-thriller “The Gray Man” from directing duo the Russos.
Directing team the Russos (brothers Joe and Anthony) are no strangers to adapting works for cinema. If their work on 2014’s Captain America: The Winter Soldier wasn’t enough to gain your attention, their directing of the end of the Marvel… Read More ›
Return to the Matrix one last time via the home release of “The Matrix Resurrections.”
Throughout the special features, one thing that keeps repeating from original franchise actor Keanu Reeves is the comment that people have been telling him since the release of 1999’s The Matrix that the films changed their lives. It may seem,… Read More ›
“The Matrix Resurrections” offers a celebration of what was and a rebirth all at once.
In 1999, a question was posed that would have an unexpected impact on cinema and my life as a cinema-goer for years to come: “What is the Matrix?” It’s little more than tagline, a simple query that also serves as… Read More ›
Check out the unexpectedly life-affirming apocalypse world of “Love and Monsters” on home video.
Despite how things may look from a cinematic perspective, there have been a number of reputable films released this year. In fact, one of the best things to come out of reduced access to theaters is an increase in access… Read More ›
Sci-fi adventure comedy “Love and Monsters” offers all the title suggest and much more.
There have been many stories put on celluloid about the end of humanity. There’s the nightmarish It Comes At Night (2017), the lonely The Night Eats the World (2018), the frigid Snowpiercer (2013), the violent Mad Max: Fury Road (2015),… Read More ›