The Beat Movement was a literary alliance started by a group of authors in the 1950s which included William S. Burroughs (Naked Lunch), Allen Ginsberg (Howl), and Jack Kerouac (On the Road). The Beat subculture focused on dismissal of standard… Read More ›
While every person on Earth has their own crop of favorite filmmakers, there are those who stand as an almost objective list of the most influential to ever live: Alfred Hitchcock (Rope), Akira Kurosawa (Hidden Fortress), Federico Fellini (8 ½),… Read More ›
“Don’t watch the mouth; watch the hands.” – Peter B. Parker (voiced by Jake Johnson) in Spider-Man: Into the Spider-Verse In 2018, a brand-new Spider-Man story hit theaters and audiences would not be the same. That’s an enormous statement and,… Read More ›
The stories of Wes Anderson’s films can be best compared to Russian nesting dolls. Throughout their running time, the layers and deeper meanings begin to present themselves. Films like Fantastic Mr. Fox (2009), Moonrise Kingdom (2012), The Grand Budapest Hotel… Read More ›
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
Based-on-a-true-story biopics tend to fall into one of two categories: gritty or glossy. Weirdly, Netflix’s latest original feature The Polka King can’t decide which one it wants to be. Drawing from the documentary film The Man Who Would Be Polka… Read More ›