While filmmaker Nobuhiko Obayashi is known for horror comedy House (1977), it’s not the only work Obayashi released nor the only genre he stuck to. In 1981, Obayashi released sci-fi comedy School in the Crosshairs and, in 1986, released romantic drama… Read More ›
Photosensitivity Warning: The scenes involving Angels and/or Angels battling EVA Units, which make up a significant portion of the films, almost always involve flashing lights. Be prepared before watching. GKIDS Films gained home release control of Hideaki Anno’s polarizing and… Read More ›
EoM Senior Interviewer Thomas Manning recently spent time talking with writer and director Ken’ichi Ugana about his film The Curse, which screened at Fantastic Fest 2025. This gnarly, supernatural thriller comments on the increasingly dangerous potential of the digital world… Read More ›
Those keeping track of modern martial arts action know the name Kensuke Sonomura between his work as a stunt director and as a director. If it hits hard, looks badass, and helps move the narrative forward, you can almost guarantee… Read More ›
Everyone says that they want original stories to watch at the movies, but what they really mean is that they want good stories, engaging stories, stories that they can’t stop talking about or thinking about when they leave the theater…. Read More ›
It’s not an uncommon practice for a filmmaker to release two films in a year. John Huston released The Treasure of the Sierra Madre the same year as Key Largo (1948), Akira Kurosawa released Scandal in the same year as… Read More ›
Photosensitivity Warning: Occasionally black and white films will possess a flicker and its continuous presence within The Betrayal may prove disorienting to photosensitive viewers. One of the greatest mistakes in humanity is incuriosity, this notion that all you know is… Read More ›
Manga author Koyoharu Gotouge’s fantasy adventure shonen Demon Slayer: Kimetsu no Yaiba (鬼滅の刃) first published in February 2016, introducing audiences to Tanjiro Kamado, a young boy living in Taishō era Japan with his mother and siblings, making their living as… Read More ›
To go into a movie without knowing anything about it is a rare experience, but sometimes something drops into your inbox and you decide to jump head first into it knowing nothing other than that it is a festival screening…. Read More ›
Photosensitivity Warning: There are three instances of powerful strobing/flashing lights that may trigger a painful response in audiences: two shortly after the title card appears and one in the climatic sequence of the film. Japanese filmmaker Toshiaki Toyoda has built… Read More ›
There is something special about movies that are love letters to filmmaking, genres, and low-budget movies — it is just such a niche topic to touch upon but, when done right, it can be a cinephile’s perfect movie. Thankfully, Kenichi… Read More ›
Content Warning: The following review discusses scenes of sexual violence. A sweaty biker gang leader with a head shaved in the shape of a swastika huffs fumes from a plastic bag, swearing revenge and delivering exposition at the same time…. Read More ›
Between the stories we tell ourselves and the ones we present to others, somewhere in the middle lies the truth of who we are, that part of ourselves that we either can’t bear to put into the light of day… Read More ›
Live. Die. Repeat. Live. Die. Repeat. Live. Die. Repeat. Live. Die. Repeat. Before these words were linked to the Doug Liman-directed Edge of Tomorrow (2014), they belonged to Hiroshi Sakurazaka and his light novel All You Need Is Kill. Initially… Read More ›
We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams;— World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world… Read More ›
Trigger Warning: An extended introduction sequence includes frequent brief flashing effects that may be difficult for photosensitive viewers. What does it mean to be a hero? Stories from around the world and throughout time try to navigate this question. Few… Read More ›
If someone is asked to identify their favorite war-related films, most likely they’ll name American-made films, not because they’re inherently better but because they are often more prolific. The truth is that war is one of the few concepts that… Read More ›
Art isn’t for everyone. It can be profitable for the artist if it is, striking the balance between personal vision and widespread appreciation, but it’s not a necessity. Sometimes art is entirely for the artist, the work so niche that… Read More ›
Each story — the ones we tell ourselves that make up our reality and the ones that creatives make for the books, shows, and films we ingest — is a matter of perspective and, frequently, the audience is rarely asked… Read More ›
Warning: The following review will include discussion of violent imagery, infanticide, and genocide. If you read my piece last year on Hayao Miyazaki’s modern masterpiece The Boy and the Heron (君たちはどう生きるか) (2023), then you know that the Ghibli studio head… Read More ›