During SXSW 2026, director Jorma Taccone premiered his latest feature, the action horror comedy Over Your Dead Body, starring the fantastic ensemble cast comprised of Samara Weaving, Jason Segel, Timothy Olyphant, Juliette Lewis, Paul Guilfoyle, and Keith Jardine. On this… Read More ›
“Battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes also into you.” – Friedrich Nietzsche Trigger Warning: There’s a brief sequence in which sexual assault is threatened that may be… Read More ›
There’s a common misconception that stories, by nature of being broadcast or shown in a theater, condone behavior, justifying choices, always, simply because they are the behaviors and choices of the main character. This is an egregious failure of media… Read More ›
Congratulations. For a certain set of people, this singular word carries weight. This isn’t to say that it doesn’t for the general populous as receiving accolades or cheers often makes one feel elated, but, for a specific set, “Congratulations” correlates… Read More ›
When it was announced that contemporary cinema’s most interesting enfant, Ari Aster, was developing a COVID-19 western, it did more than turn a few heads. Tackling one of the most uncertain and anxious times in recent memory seemed like an… Read More ›
As someone who once lived in The Big Apple, I know a thing or two about dating within its whimsical-yet-chaotic parameters. From trying to have smooches on the subway to debating your dinner on the busy sidewalks of St. Mark’s,… Read More ›
Writer/director Celine Song broke our hearts in 2023 with Past Lives and returned to theaters this year with another romantic drama, Materialists, possibly to do the same. If watching Dakota Johnson, Chris Evans, and Pedro Pascal in a love triangle sounds like… Read More ›
When it comes to narrative mysteries, truth and reality are all a matter of perception. Some things can be argued or compromised on, others are indisputable, but they are all a matter of perception. It’s in this vein that multihyphenate… Read More ›
The honeymoon phase of Alex Garland’s directorial career, beginning in 2015 with Ex Machina, felt unlike anything we had seen from a genre filmmaker in ages, a miracle of sorts. A long-time screenwriter and novelist, Garland’s foray into directing his… Read More ›
Perhaps my favorite movie-going story is how right after graduating college I went on a long-awaited trip to Europe with my mother and, at the same time, Ari Aster’s debut film, Hereditary (2018) was released into theaters. My Twitter timeline… Read More ›