After spending time on the festival circuit, writer/director Nicola Rose’s feature-length directorial debut, Goodbye, Petrushka, hit VOD and digital in July of 2022. Utilizing mixed media and multiple genres, Rose’s film explores growing up via a romantic lens, both literal… Read More ›
Indie Rights Films
Dark comedy “Pescador” uses comedic bait to explore dark thematic waters.
The fun thing about cinema is its ability to explore aspects of humanity without necessarily making judgements on it. This, of course, can back-fire if the audience doesn’t receive the film, or moments within it, as intended (see: Shannon Lee’s… Read More ›
Ran Slavin’s feature debut, “Call for Dreams,” is “A Page of Madness” for the 21st century.
According to the press notes for Call for Dreams, Israeli director Ran Slavin started the project in pursuit of a “new cinematic form.” Slavin began with the idea to collect dreams from strangers that he could use as inspiration for… Read More ›
With strong performances, a compelling story, and a satisfying blend of romance and mystery, all “32 Weeks” needs is a better ending.
Sometimes, writers get a tad bit lazy with their narratives and throw in a character with amnesia as a cheap and easy way to wiggle themselves out of plot holes and avoid the extra work of coming up with a… Read More ›
Documentarians Chris Ghelfi and Laura Sheehy’s chronicle the highs and lows of Kinsale King’s career in “Chasing The Win”.
The industry that is horse racing certainly isn’t the beast it once was. What used to be an event for the elite and commoner alike, has now become more of a status symbol than anything else. While horse racing doesn’t… Read More ›