Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be discussing an independent horror film from the festival circuit that… Read More ›
When it comes to those who identify as Jewish, theirs is a life of constant reminders of threat, peril, and near-extinction several times over. Trying to explain holidays, for instance, to my eldest but still-quite-young son, is to find a… Read More ›
Psychological thriller “The Night” masters the familiar haunted hotel setting with technical excellence.
Kourosh Ahari’s psychological thriller, The Night, is a stellar example of a film that may not have the next best original ideas within its genre, but is so well done that it is nonetheless entertaining and worthwhile. Despite a handful… Read More ›
I hate snow. Perhaps it’s because my exposure to snow has been the rare snowstorms that hit North Carolina once or twice a year, leaving a wake of dirty black ice in its wake, but I’ve genuinely never enjoyed the… Read More ›
I could name five French films that have released in the past year, the same with Korean, Chinese, German, Swedish, and Spanish films as well. However, despite being the largest country on Earth by landmass, I probably couldn’t name five… Read More ›
The Breathtaking Melancholy of “Relic” (or How I Learned to Stop Panicking and Trust the Aging Process).
Both of my grandfathers died before my grandmothers (one of whom, my mother’s mother, is still with us), and what remained following their deaths was a peculiar phenomenon that I had never considered before. As women of the 1940s, they… Read More ›
The horror genre is arguably the most diverse genre in Hollywood when you take into consideration of all the sub-genres that it offers. Slasher, zombies, paranormal, and psychological are all prime examples of sub-genres of horror movies, but one should… Read More ›
Feminist folktale horror film “The Other Lamb” is resonant and memorable, but loses itself in symbolism.
If Céline Sciamma’s recently-released Portrait of a Lady on Fire paints a picture of female community and camaraderie at its best, honing in on the lives of women as they create space for each other outside of patriarchal society, then… Read More ›
Despite a subversion of genre tropes and bevy of homages, Jennifer Reeder’s “Knives and Skin” isn’t as sharp as it aims to be.
The textbook definition of “teen movie” has taken a sharp left turn in the past decade. Gone are the days of lighthearted slapstick comedies à la American Pie and Superbad, or the mushy romance films like She’s All That and… Read More ›
When it comes to often-trod-upon Hollywood genres, there might not be one more used than that of the American Western. The Western has received a bit of a boost in the last decade with films like True Grit, Bone Tomahawk,… Read More ›
“The Clovehitch Killer” is a frighteningly quiet and surprisingly reserved look inside the world of a serial killer.
It’s natural to be interested in serial killers, but it’s not okay to be interested in serial killers, you get me? The psyches of depraved, violent individuals are a field day for the study of psychological abnormalities and sociological triggers… Read More ›
Writing partners Andy Nyman and Jeremy Dyson are likely not names you’d know though you’re likely familiar with their work. Nyman’s an actor who’s worked on The League of Gentlemen, The Brothers Bloom, and Despicable Me 3, whereas Dyson’s spent… Read More ›