Consecration is following in the footsteps of Watcher, Resurrection, and Skinamarink with IFC Films’s and Shudder’s distribution partnership, putting indie horror that would usually not get a chance for theatrical distribution out to the masses. Particularly with Skinamarink’s recent success… Read More ›
IFC Midnight
“Burial” stitches historical facts to examine complex conflicts as factual today as they were in 1945.
Berlin 1945, in an underground bunker shielded from the war, the would-be world dictator took a coward’s way out and shot himself in the head rather than face his crimes. Sadly, this supposed example of masculinity and human superiority which… Read More ›
Phil Tippett’s “Mad God” is a gem…an oozing, ugly, horrid gem.
As much as I find amazement in the animation work of studios like Pixar and DreamWorks and feel the warmth of a hug in the hand-drawn animation of Studio Ghibli and Folimage, stop-motion always has felt like the pinnacle of… Read More ›
The kids are so incredibly not alright in Eskil Vogt’s “The Innocents (De uskyldige).”
“I believe the children are our future Teach them well and let them lead the way” – Whitney Houston Is there anything more innocent than the joy of a child’s summer vacation? Playing with friends in the sun all day… Read More ›
Fistful of Features investigates horror thriller “The Night” on home video from Shout! Factory.
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be discussing an independent horror film from the festival circuit that… Read More ›
Keith Thomas’s phantasmagorical “The Vigil” explores the destructive terror of generational trauma.
When it comes to those who identify as Jewish, theirs is a life of constant reminders of threat, peril, and near-extinction several times over. Trying to explain holidays, for instance, to my eldest but still-quite-young son, is to find a… Read More ›
Psychological thriller “The Night” masters the familiar haunted hotel setting with technical excellence.
Kourosh Ahari’s psychological thriller, The Night, is a stellar example of a film that may not have the next best original ideas within its genre, but is so well done that it is nonetheless entertaining and worthwhile. Despite a handful… Read More ›
A Conversation with actor Wil Wheaton.
Wil Wheaton is no stranger to film, TV, entertainment and pop culture. From his work on the film Stand by Me, to his break into the sci-fi universe as Wesley Crusher in Star Trek: The Next Generation, to his performances… Read More ›
The discomfort within “Centigrade” is more than a matter of degrees.
I hate snow. Perhaps it’s because my exposure to snow has been the rare snowstorms that hit North Carolina once or twice a year, leaving a wake of dirty black ice in its wake, but I’ve genuinely never enjoyed the… Read More ›
IFC Midnight’s “Sputnik” is the kind of slow-burn horror experience you long for theatrically.
I could name five French films that have released in the past year, the same with Korean, Chinese, German, Swedish, and Spanish films as well. However, despite being the largest country on Earth by landmass, I probably couldn’t name five… Read More ›
The Breathtaking Melancholy of “Relic” (or How I Learned to Stop Panicking and Trust the Aging Process).
Both of my grandfathers died before my grandmothers (one of whom, my mother’s mother, is still with us), and what remained following their deaths was a peculiar phenomenon that I had never considered before. As women of the 1940s, they… Read More ›
“The Wretched” is a nuts and bolts monster movie, and it delivers.
The horror genre is arguably the most diverse genre in Hollywood when you take into consideration of all the sub-genres that it offers. Slasher, zombies, paranormal, and psychological are all prime examples of sub-genres of horror movies, but one should… Read More ›
Feminist folktale horror film “The Other Lamb” is resonant and memorable, but loses itself in symbolism.
If Céline Sciamma’s recently-released Portrait of a Lady on Fire paints a picture of female community and camaraderie at its best, honing in on the lives of women as they create space for each other outside of patriarchal society, then… Read More ›
Despite a subversion of genre tropes and bevy of homages, Jennifer Reeder’s “Knives and Skin” isn’t as sharp as it aims to be.
The textbook definition of “teen movie” has taken a sharp left turn in the past decade. Gone are the days of lighthearted slapstick comedies à la American Pie and Superbad, or the mushy romance films like She’s All That and… Read More ›
A reliance on generic scares make the unique “The Wind” more of a breeze than a cyclone.
When it comes to often-trod-upon Hollywood genres, there might not be one more used than that of the American Western. The Western has received a bit of a boost in the last decade with films like True Grit, Bone Tomahawk,… Read More ›
“The Clovehitch Killer” is a frighteningly quiet and surprisingly reserved look inside the world of a serial killer.
It’s natural to be interested in serial killers, but it’s not okay to be interested in serial killers, you get me? The psyches of depraved, violent individuals are a field day for the study of psychological abnormalities and sociological triggers… Read More ›
Despite appearances, ‘Ghost Stories’ is no by-the-numbers affair.
Writing partners Andy Nyman and Jeremy Dyson are likely not names you’d know though you’re likely familiar with their work. Nyman’s an actor who’s worked on The League of Gentlemen, The Brothers Bloom, and Despicable Me 3, whereas Dyson’s spent… Read More ›
Coming to Theaters: May 2018
Welcome to Blockbuster Season, everyone! Officially kicked off by Avengers: Infinity War dropping on April 27th, it’s time to buckle in for the start of the summer cinema season. Gratefully, not everything coming out in the month of May is a… Read More ›