Can I be vulnerable? Can I drop a hot take today? Will you hold it against me? Here goes…I don’t really like any of the Hellraiser films. Now, don’t get me wrong, I love the work of writer Clive Barker,… Read More ›
Hulu
Actor Amber Midthunder goes pound for pound with the Predator in “Prey.”
Another day, another 20th Century Studios film sent to the Hulu graveyard by The Big Mouse in his efforts to slowly choke the life out of the once thriving 87-year-old studio. While assuring audiences from the time of the acquisition… Read More ›
Actor Zoey Deutch brings top-tier villain energy in satirical comedy “Not Okay.”
When watching Quinn Shephard’s Not Okay, it may feel familiar to another movie that came out last year based on a popular Broadway show of the same name. The plot is so eerily similar, but with a wider net of… Read More ›
Get your order of “The Bob’s Burgers Movie” to-go smothered in bonus feature sides.
According to the “Making of the Movie” featurette featuring Bob’s Burgers creator Loren Bouchard, the inception point for the film began with the two-night Bob’s Burgers Live shows from 2017. Before switching to a fairly detailed walkthrough of the process… Read More ›
“The Princess” spares no bloodshed in this “The Raid”-meets-Disney action fairytale.
“Once upon a time, in a land far far away…” is how most fairytales begin. Soon after, there’s usually an image of a fair princess whose fate is about to be decided by the whims of either a charming prince… Read More ›
“Fire Island” is far from your run-of-the-mill gay-friendly rom-com.
The biggest gift I was ever given in life was being gay. Sure, a significant percentage of the world hates me and thinks I’m going to burn in Hell, and the other part really only shows up for Pride Month… Read More ›
American adaptation “The Valet” delivers more than you’d expect from a romantic comedy.
The Valet is a remake of a film by the same name from 2006 with an almost identical plot, as well. Having not seen the 2006 film though, count me in for visiting the original soon down the road if… Read More ›
“Death on the Nile” and in your home, thanks to the home release.
Continuing their reimaging of Agatha Christie’s Hercule Poirot detective stories, Oscar-winning actor/director Kenneth Branagh (Belfast) and screenwriter Michael Green (Murder on the Orient Express) re-team for Death on the Nile. This star-studded crime drama not only offers thrills, chills, and… Read More ›
Every element of Damien Power’s “No Exit” works together to create an engaging adult thriller.
Remember adult thrillers? Remember when major studios actually made them? James Mangold’s Identity at Columbia, Tarsem Singh’s The Cell at New Line Cinema, or even Nimrod Antal’s criminally underrated Vacancy at Screen Gems. It doesn’t really matter if films like… Read More ›
Embark on a journey of the past and present via Questlove’s award-winning doc “Summer of Soul,” now available on home video.
Ahmir “Questlove” Thompson is one of the premier music-makers of his generation. Before he and the other members of The Roots were the in-house band for The Tonight Show with Jimmy Fallon, he’d developed a career with and without The… Read More ›
Without stooping to sensationalism, Dawn Porter’s “Rise Again: Tulsa and the Red Summer” offers hope amid horror.
In 2020, documentarian Dawn Porter explored two very different political figures via her films John Lewis: Good Trouble and The Way I See It. The first followed Congressman and activist John Lewis, who passed away in 2020, while the second… Read More ›
When it comes to Natalie Morales’s “Plan B,” there really is no alternative if you want humor and heart.
Usually, it takes several entries into a director’s catalogue before they push things or delve into hard to process topics. In Natalie Morales’s first film, Language Lessons (2021), she explored platonic love amid COVID-19 in a film she both wrote… Read More ›
Open Dialogue with “Them” cinematographer Checco Varese.
Checco Varese has worked in nearly every aspect of cinematography. He’s been a news photo journalist; he’s shot major music videos, he’s worked for NatGeo; he’s worked on indie and feature films (It: Chapter 2, The 33, Pacific Rim) and… Read More ›
Documentary “Hysterical” is a showcase of the sheer fearlessness and tenacity of female comics. [SXSW Film Festival]
There is a lot to take away from the official SXSW selection, Hysterical, a documentary feature directed by Andrea Nevins, which examines the culture of women in stand-up comedy. Just to set the scene, I am a straight, white male… Read More ›
The Cine-Men, Episode 46 – Favorite Character Introductions.
The Cine-Men return from an extended break so it’s only fitting that the episode is extended, as well. On this episode, we not only discuss a handful of recent watches and challenges (Thief via HBO Max and In & Of… Read More ›
Q-Bits with author Jessica Bruder and Bob Wells of “Nomadland.”
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films that are being pitched for awards’ consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›
Q-Bits with the “Nomadland” team: director/writer Chloé Zhao, producers Peter Spears and Mollye Asher, and cinematographer Joshua James Richards.
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films that are being pitched for awards’ consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›
Q-Bits with “The United States vs. Billie Holiday” director Lee Daniels and lead actor Andra Day.
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Studios offer talent connected to films that are being pitched for awards consideration. During the pandemic, these events (film junkets) have transitioned to a… Read More ›
Derek DelGaudio’s powerful Broadway show “In & Of Itself” challenges our notions of identity.
From my perspective, the purpose of a critic is to observe art, in this case film, and analyze it for what it does well and what it doesn’t. To some degree, this is objective as one considers the artist’s ability… Read More ›
For a period romance, “Ammonite” is too cold to generate heat.
Queer period romance films have had a bit of a kick as of late, and I have been very grateful for them thus far. Colette, The Handmaiden, Carol, The Favourite and Portrait of a Lady on Fire, among others, have… Read More ›