Mira Nair’s first narrative feature, the Indian Hindi-language drama Salaam Bombay!, is as much a documentary as it is a narrative of Bombay’s (now Mumbai’s) loud and chaotic street life. Even though its story and characters are crafted by Nair… Read More ›
Hindi
Uttera Singh’s feature directorial debut dramedy “Pinch” views universal issues through a specific cultural lens. [Tribeca]
Trigger Warning: Mention of sexual abuse in the following review. Regardless of time and place, some people will only seek to take advantage. All they need is an opportunity and the belief that no one will turn them in and… Read More ›
“Wan Pipel” Blu-ray Giveaway
Marking the end of filmmaker Pim de la Parra’s time with Scorpio Films is the 1976 dramatic romance Wan Pipel (One People), which is having its worldwide Blu-ray debut via Cult Epics. Courtesy of Cult Epics and MVD Entertainment Group, EoM… Read More ›
“Sister Midnight” loses itself amidst a glut of messaging and genre-bending. [BUFF]
Writer/director Karan Kandhari (Bye Bye Miss Goodnight) presents audiences with Sister Midnight, a dark comedy (slightly akin to Nightbitch (2024) while also being incredibly different) about the situations that arise from arranged marriages and what happens when you’re just not… Read More ›
Capsule Review: Karan Kandhari’s horror dramedy “Sister Midnight.” [BUFF]
Overall, Sister Midnight swings for the absolute fences which is bold and refreshing to see when it has a cast that supports it, but if the effort ends at the cast’s execution, it can become tiresome and messy. Kandhari throws… Read More ›
“Dead Dead Full Dead” slays with laughter as a genre mashup. [Fantasia International Film Festival]
Comedies are always subjective. Sometimes we discover that the films we’re used to are not as good as we thought as we get exposed to so many different cultures bringing their own unique looks and flare to films. Pratul Gaikwad’s… Read More ›
All you need is “Kill.”
By the nature of social norms, each country includes a specific view in their art. When it comes to movies, this is very noticeable within the subgenre of action. Whereas American films almost always feature a stalwart protagonist who survives… Read More ›
“It Lives Inside” utilizes horror to explore the schism of cultural identity via the immigrant experience. [Fantasia International Film Festival]
Immigrant stories are connected to the fabric of America as it exists today. Whether they are just arriving, first generation, second, or beyond, what binds the majority of immigrants together is that they (including myself) are not from here and… Read More ›
“The Underbug“ sparks conversations that will last long past the 68-minute runtime. [Slamdance Film Festival]
The COVID pandemic has forever changed the landscape of our world, effecting everything from religion and politics to visits to the local grocer. During the early days there was an overwhelming sense of dread due to the unseen force that… Read More ›