Before comic films were cinematic, extended, or otherwise franchise driven, they were more often singular. It’s hard to believe given the proliferation of them today, however, before the 1990s, major studio cinematic comic adaptations were limited to Superman (1978) and… Read More ›
Hans Zimmer
“Top Gun: Maverick” delivers on just about every level imaginable and then exceeds it: plus ultra.
As more and more legacy sequels release due to studios mining their IPs for anything they think will resonate with audiences off the name alone, a follow-up to director Tony Scott’s Top Gun (1986) seemed all the more inevitable each… Read More ›
Strap in, Ghostrider. “Top Gun: Maverick” is a blockbuster film in every fiber of its being.
I would like to make an illicit confession to you, dear reader: I do not particularly care for Tony Scott’s 1986 film Top Gun. I don’t hate it, or even actively dislike it, but I certainly view the film in… Read More ›
The bonus features accompanying Denis Villeneuve’s “Dune: Part One” delight longtime fans while enriching the experience of the novice.
There are some works of science fiction that never seem to let go once they get their grasp on society. William Gibson’s Neuromancer was published in 1984, but it still felt just as vital and prescient when I read it… Read More ›
Life is good. But it could be better with “Wonder Woman 1984” out on home video.
Kicking off Warner Bros. Pictures’s new simultaneous release policy with HBO Max, Wonder Woman 1984 debuted in select theaters and on the burgeoning streaming service on December 25th, 2020. For 31 days, audiences could elect to either head to theaters… Read More ›
Packed inside the superhero excess of “Wonder Woman 1984” is a compelling story of greed versus virtue.
As a follow-up to 2017’s Wonder Woman, director Patty Jenkin’s Wonder Woman 1984 is undeniably ambitious. It seeks to expand the mythos of Themyscria, the home of the Amazons; continue the story of Diana Prince as a continuation of her… Read More ›
Photorealism may not suck you into “The Lion King” (2019), but the bonus features in the home release showcasing just how impressive the undertaking was just might.
On paper, adapting The Lion King for a new generation of fans seems like an absolute no-brainer. First released by Disney in 1994, the original Lion King blew the minds of audiences and critics alike as the story and songs… Read More ›
Listen: The Cine-Men, Episode 15
Been a while since co-hosts Darryl Mansel and EoM founder Douglas Davidson recorded a new Cine-Men episode, so they tried to make it extra special. In addition to chatting about their recent watches and general catching up, they also discuss their… Read More ›