Janus Contemporaries’s newest unnumbered entry into the Criterion Collection is priced just right at $20.99. The Beast, the latest film from Bertrand Bonello (House of Tolerance; Saint Laurent), is a surreal tale starring two of the best actors working today,… Read More ›
George MacKay
Apocalyptic musical “The End” is both chaotic and balanced to mixed results. [TIFF]
Musicals about the apocalypse or the end of the world are certainly not new territory, but they all succeed to various mileage. While there is no world where a Mad Max-type movie is going to put to song, Joshua Oppenheimer’s… Read More ›
Justin Kurzel’s rendering of Ned Kelly and his gang in “True History of the Kelly Gang” sizzles with punk rock energy.
Every culture has their notorious outlaws, and in Australia, probably no such figure looms larger than bushranger Ned Kelly, who famously wore a suit made of bulletproof armor during his last standoff with local authorities. While at least 10 movies… Read More ›
Bring the immense theatrical scale of “1917” home now.
Of the films to drop in 2019, none impressed this reviewer more from a technical perspective than Sam Mendes’s 1917. Designed, shot, and edited to create a seamless one-take feel, 1917 became one of the year’s most immersive experiences without… Read More ›
Technical mastery and a poetic approach to direction make director Sam Mendes’s “1917” an unforgettable experience.
Dunkirk. Hacksaw Ridge. Saving Private Ryan. The Thin Red Line. All Quiet on the Western Front. Each of these films found a provocative way to tell a war story. Whether it’s the tickticktick of Hans Zimmer’s Dunkirk score accompanying overlapping… Read More ›
IFC Film’s “Ophelia” reimagines Shakespeare’s “Hamlet” and, in doing so, reinvigorates the centuries old play.
There exists a problem in classic literature and it resides in the presentation of women. They are rarely given any agency, any sense of control over their fates, and are, instead, merely fodder for whatever Hero’s Journey the male lead… Read More ›