Megalopolis is a film about Great Debates by Great Men. It has inescapable original sins for which the public will not even grant it the graceful reputation of “fine.” It debuted in a time when the efficacy of debates is… Read More ›
Francis Ford Coppola
Reactions to “Megalopolis” are as divided as the successes and failures within the film.
While every person on Earth has their own crop of favorite filmmakers, there are those who stand as an almost objective list of the most influential to ever live: Alfred Hitchcock (Rope), Akira Kurosawa (Hidden Fortress), Federico Fellini (8 ½),… Read More ›
“One from the Heart: Reprise” is a booby, bloated, bad masterpiece.
At the peak of the DVD/VHS era, studios would often release worse, extended, “unrated*” cuts of films with more boobs and cursing to trick a few customers into purchasing the film a second time. That’s what Francis Ford Coppola (The… Read More ›
Director Dorthy Arzner’s 1940 feminist subversive comedy “Dance, Girl, Dance” is the latest to join The Criteron Collection.
Director Dorthy Arzner’s Dance, Girl, Dance is joining the ranks of other Criterion Collection releases in May 2020 alongside The Great Escape (1963), a collection of five of Martin Scorsese’s short films titled Scorsese Shorts, Wildelife (2018), Husbands (1970), and… Read More ›
A Conversation with cinematographer Mihai Malaimare Jr.
Cinematographer Mihai Malaimare Jr. has worked with Francis Ford Coppola, Paul Thomas Anderson, and Taika Waititi among others. Here, he talks with Noel T. Manning II and shares his filmmaking background and his leadership on bringing the critically successful Jojo… Read More ›
Explore the significance of theatrical audio in documentary “Making Waves: The Art of Cinematic Sound”.
The vast majority of filmgoers and movie fans around the world associate the term “motion picture” with just that, the picture. We tend to first and foremost focus on the visuals, the aesthetics, and the things that can be seen… Read More ›