What happens when a reliable man decides to become unreliable? Should he be held to account? Who’s to say? The Man Who Wasn’t There (2001) is finally getting its day in court, entering the Criterion Collection on February 24th, 2026…. Read More ›
Frances McDormand
Should you heed the call to return to Bregna with the 20th anniversary 4K UHD steelbook of “Æon Flux”?
With the prevalence of streaming, it’s much harder for audiences today to discover something new. Sure, they can press play on something recommended to them or go through the trouble of digging around within a streamer’s options, but it’s not… Read More ›
Now justice has a new face, and it’s in 4K UHD thanks to Scream Factory’s release of “Darkman.”
Before he took audiences on an adventure through the Multiverse of Madness (2022), or swinging through the streets of New York several times with Spider-Man (2002, 2004, 2007), or battling the Army of Darkness (1992) in the medieval period, filmmaker… Read More ›
Writer/director Sarah Polley’s “Women Talking” has everything, except the specificity and unique point of view that women’s cinema needs.
With an impressive cast, best-selling source material, two Oscar nominations, and one Oscar win, Women Talking has gotten a lot of buzz. Unlike some of this year’s other best picture nominees, Women Talking isn’t supposed to entertain crowds or draw… Read More ›
Sarah Polley’s “Women Talking” will force you to examine all your contradictory ideas and make you better for it. [Film Fest 919]
I have two small gripes about the naming of Women Talking, which are my only two jokes I’m allowing myself to make about this film since it is such a serious affair. 1. I’m sad this movie has that name… Read More ›
Own the final issue of “The French Dispatch” on home video.
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
“The French Dispatch” is Wes Anderson undiluted and bound to delight fans of the acclaimed creative. [Film Fest 919]
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
The Cine-Men: 93rd Academy Awards, Part I
In the run-up to the 93rd Academy Awards, The Cine-Men co-hosts Darryl Mansel and myself embark on our third annual exploration of the top six categories: Actress/Actor in a Supporting Role, Actress/Actor in a Lead Role, Directing, and Best Picture…. Read More ›
Q-Bits with the “Nomadland” team: director/writer Chloé Zhao, producers Peter Spears and Mollye Asher, and cinematographer Joshua James Richards.
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films that are being pitched for awards’ consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›
Chilling and hopeful, director Martin McDonagh’s tragicomedy ‘Three Billboards outside Ebbing, Missouri’ is one of the year’s best.
Writer/director Marin McDonagh is no stranger to tackling difficult or challenging material. His first feature, In Bruges, centered on a hitman having an existential crisis, while his second, Seven Psychopaths, focused on a screenwriter sucked into a world of gangsters… Read More ›