Crash Land can easily be pitched as Jackass with a ton of heart, but that shorthand barely scratches the surface of what makes the film resonate. Beneath its chaotic, stunt-driven exterior lies a surprisingly tender coming-of-age story that uses absurdity,… Read More ›
Finn Wolfhard
Horror comedy “Hell of a Summer” receives a decent home release edition for a subpar cinematic experience.
If there’s anything that cinema has taught us, don’t be a camp counselor. Either they have to build morale for a rag-tag group of kids coming from disparate backgrounds in order to help defeat an opposing camp, have to play… Read More ›
Come for the chaos, stay for the commentary track on filmmaker Jason Reitman’s home edition of “Saturday Night.”
For 49 years and 50 seasons, the Not Ready for Primetime Players have entertained audiences with positively insane sketches, zeitgeist-hijacking music videos, and musical moments that have shifted entire industries in the live sketch program Saturday Night Live. It’s a… Read More ›
Open Dialogue with “Saturday Night” director Jason Reitman and casting director John Papsidera.
Join Thomas Manning in this special Meet Me at the Movies: Open Dialogue segment as he interviews director Jason Reitman and casting director John Papsidera on the red carpet for based on a true story film, Saturday Night. Manning dives… Read More ›
“Saturday Night” achieves the impossible in capturing the anarchy of airing the first ever episode of “SNL” [TIFF]
Live from Elements of Madness, its SATURADAY NIGHTTTTTTTTTT! Jason Reitman’s latest (co-penned by Gil Kenan) is one of the most incredibly stacked and impossible ensembles to bring together about the chaotic moments before the first ever episode of Saturday Night… Read More ›
Beat the summer heat with the latest “Ghostbusters” adventure, “Frozen Empire,” now on home video.
A sequel is a tricky proposition. Audiences who enjoy one story are keen to want more, yet the follow-ups aren’t always as strong or long-lasting as the initial outing. When you add in the complaint of feeling like nothing new… Read More ›
The Criterion Collection releases a fifth Guillermo del Toro edition with his co-directed adaptation of “Pinocchio.”
In a world in which streamers rarely release their films on physical formats and legacy studios are beginning to delete finished films (either for tax purposes or to just remove from servers), there’s something truly wonderful about the relationship developed… Read More ›
“Guillermo del Toro’s Pinocchio” may not have you wishing upon a star, but it’s exploration of identity and love will resonate nonetheless.
Since its publication in 1883, Italian author Carlo Collodi’s The Adventures of Pinocchio has been adapted on paper and for stage and screen many times. The most well-known, of course, being the 1940 Walt Disney animated adaptation. It’s a story… Read More ›
“Ghostbusters: Afterlife” closes loops and sets up the next generation who are ready to believe you.
Each of us has a window of time in our mind that tells us how long is appropriate between films, sequels specifically. Release one too soon and you run the risk of the new film being too heavily compared to… Read More ›
Amid the discord, Jesse Eisenberg’s feature-length directorial debut “When You Finish Saving the World” finds bittersweet harmony. [Sundance Film Festival]
Over the course of his career Oscar-nominated actor Jesse Eisenberg has played many roles. He’s been a nebbish hero (Zombieland), a sociopath (The Social Network), a stoner badass (American Ultra), and the greatest criminal mind of the DCEU (Batman v…. Read More ›
If you want to know “How It Ends,” begin with yourself. [Sundance Film Festival]
The latest project from Mister Lister Films is at once existential and profound, while completely self-indulgent. In their balance, both of these can be true, combining into a film that’s as heartbreaking as it is hilarious. Conceived, developed, and shot… Read More ›
The home release of “It Chapter Two” includes a full curtain pullback worth checking out.
“You’ll Float, too.” Three innocuous words infused with horrible terror thanks to Stephen King’s 1986 novel It. Then, in 1990, a television mini-series adapted from the book shifted the way the average person looks at clowns, thanks in large part… Read More ›
Novel adaptation “The Goldfinch” is beautifully constructed and executed, yet feels somehow disconnected.
Published in 2013, Donna Tartt’s The Goldfinch went on to earn best-selling status, along with the coveted Pulitzer Prize for Fiction in 2014. It’s a book that — it seems — entranced readers, including future cast member Sarah Paulson (Ocean’s… Read More ›
“It: Chapter Two” ends where It begins.
No matter how much we want it to, the past rarely stays behind. A song, a story, a face, anything which might elicit the slightly remembrance, and we’re right back in that moment like it’s yesterday. Of the many themes… Read More ›
‘It’ terrifies by making the old new again.
For many, the 1990 television mini-series event It, even with all of its pitfalls, remains a cinematic classic. In what’s become a remake/reboot-centric Hollywood, audiences are primed and ready to be (re)introduced to the terror that is the interdimensional creature… Read More ›