It’s no secret that Suspiria is one of my favorite films of all time, with the 2018 remake just ever so slightly edging out the 1977 original thanks to its expansion on the film’s themes and plot to make something… Read More ›
Film Fest 919
“The Aeronauts” doesn’t seek to exist as a quiet, introspective costume drama, but as an adventure of the grandest scale imaginable. [Film Fest 919]
Whatever happened to wonder in films? Whatever happened to the sweeping scores layered over long, grand shots of adventure and peril? Why does everything feel so commercialized and insincere nowadays? I feel like whenever big blockbusters make you feel something,… Read More ›
If you want a Prestige Picture, look elsewhere. If you’re in the mood for some fun, then it’s hail to “The King.” [Film Fest 919]
The idea of another prestige period drama is almost physically exhausting to my body at this point. Hell, The King isn’t even the first prestige period drama for Netflix in the last year, with David Mackenzie’s admirable, but not heavy-hitting,… Read More ›
“Honey Boy” is both brave and admirable, even if hard to reconcile. [Film Fest 919]
The world is a cruel place, and we are a cruel people within it. We love to put others down for the sake of making our own selves feel better, and we’ve all done it at some point or another…. Read More ›
“The Report” has all the makings of a bombshell political drama without the pizzazz or flare. [Film Fest 919]
There’s an argument today that everything is hyper-politicized, from our news to our movies to the signs lining the freeway during our daily commute. It’s a hard thing to escape and being exposed constantly to it can rightfully feel exhausting…. Read More ›
Fabulous performances and beautiful aesthetics aren’t enough for “Sorry We Missed You.” [Film Fest 919]
In a new world where mega-corporations run the world and are bigger than ever before, it’s becoming harder to levy legitimate criticism towards these parables of late-stage capitalism because…well…these corporations also own distribution companies. Amazon has its own Amazon Studios… Read More ›
“Waves” is an utterly transportive experience as it presents the ups and downs of pure love. [Film Fest 919]
“Stick to what you know” is something we’re told as kids to keep us stuck to the ways we’re used to and to not question authority, keeping us confined. It’s an adage that unfortunately sticks in many of our minds… Read More ›
Craig Brewer’s “Dolemite is My Name” is an absolute joy from beginning to end. [Film Fest 919]
Everyone loves a good comeback story. Everyone cheered when Rudy made that touchdown at the end of Rudy, everyone loves Robert Downey Jr.’s comeback in the Marvel Cinematic Universe, and today, we get to celebrate not only one, but two,… Read More ›
Pedro Almodóvar’s “Pain and Glory (Dolor y gloria)” is a quiet, intimate, and retrospective piece. [Film Fest 919]
There are certain filmmakers who simply embody the essence of what their country, culture, and style are at their core; that the sheer mention of their name conjures a body of work worthy of showing off as the crème de… Read More ›
Taika Waititi’s period comedy “Jojo Rabbit” lacks the bite satire requires. [Film Fest 919]
It used to be that everyone agreed that the Nazis were bad. It was one of the world’s universal truths, but unfortunately, because everything today has to be terrible and awful at all times, we’ve re-entered the age of neo-Nazism… Read More ›