In this audio interview, Thomas Manning of The Run-Down On Movies speaks with Jules Willcox and Marc Menchaca, the stars of the 2020 Fantasia International Film Festival selection, Alone, directed by John Hyams. Alone tells the story of a recently… Read More ›
Fantasia International Film Festival 2020
Jeon Gye-soo’s “Vertigo” offers sensory exploration of romance from the heights. [Fantasia Film Festival]
In a corporate world made of glass, steel, and concrete, Jeon Gye-soo’s atmospheric Korean language film Vertigo captures the agony of one woman’s emotional and physical isolation and the slow-budding connection she makes with a high rise window washer contracted… Read More ›
A Conversation with director Bao Tran. [Fantasia Film Festival]
In this interview, Thomas Manning speaks with Bao Tran, the writer and director of the new kung fu comedy and Fantasia Film Festival selection, The Paper Tigers. Three Kung Fu prodigies have grown into washed-up, middle-aged men, now one kick… Read More ›
A Conversation with directors David Darg and Price James. [Fantasia Film Festival]
In this interview, Thomas Manning sits down with directors David Darg and Price James, the filmmakers behind the Fantasia Film Festival selection documentary, You Cannot Kill David Arquette. Branded as the most hated man in wrestling after winning a highly… Read More ›
Expertly crafted in pieces, Korean mystery “Me and Me (사라진 시간)” does not combine to a satisfying whole. [Fantasia Film Festival]
When it comes to modern Korean horror (Parasite doesn’t count), there’s really a “before The Wailing” and “after The Wailing” period going on currently. Sure, there are still some fast-moving, breakneck horror being made in South Korea, but there has… Read More ›
“Sanzaru” is an intriguing slow burn, yet crashes in the landing. [Fantasia Film Festival]
Sanzaru is a film that might look like a film along the lines of The Dark & The Wicked in its rural set-up for a horrific force haunting a house, but off the bat, there’s something much stranger at hand…. Read More ›
A quiet film with fantastic suspense, “Wildland (Kød & blod)” is a different flavor of mafia movie. [Fantasia Film Festival]
Although the Fantasia International Film Festival was held virtually this year, it still featured an incredible lineup of wild and visceral films that celebrated everything gory and horrific. Many of the featured titles were loud and boastful with their colorful… Read More ›
Psychological thriller “Sleep” explores German cultural identity with a fairy-tale feel. [Fantasia Film Festival]
Dreams help us process unspoken emotions and desires in contained, temporary environments. Those who dream can escape reality, explore a path unchosen, and tuck the experience away in a safe box. In Michael Venus’s feature-length debut, however, the borders between… Read More ›
French Western “Savage State (L’état Sauvage)” is a stark, quiet, introspective tale of survival. [Fantasia Film Festival]
Fantasia Festival has provided a bevy of opportunities to showcase some truly great genre films, primarily focusing into the sci-fi/horror route of things. The grisly, spooky, and downright weird have been on full display since the start of the festival,… Read More ›
Darkly humorous “The Columnist” takes on social media trolls. [Fantasia Film Festival]
Internet trolls have long been the bane of social media journalists and content creators, but rarely do the victims of such attacks get a chance to face their opponents eye-to-eye. In Ivo Van Art’s Dutch language film The Columnist, this… Read More ›
Constructed upon utter chaos, “#ShakespearesShitstorm” loses itself in its visual style as it tries to dissolve the more pretentious side of The Bard. [Fantasia Film Festival]
Over twenty years after his first experimental Shakespeare film adaptation, Tromeo and Juliet (1996), Lloyd Kaufman and the team at Troma Entertainment have released yet another irreverent and outlandish adaptation with #ShakespearesShitstorm, a wacky musical-comedy and gross-out fest based on… Read More ›
If you’re in the mood for something dark and gory, look no further than Bryan Bertino’s “The Dark & The Wicked.” [Fantasia Film Festival]
One of the first horror films I ever saw during its release time was Bryan Bertino’s 2008 home-invasion thriller, The Strangers. I will always have the distinct memory of watching it at my best friend’s house after a July 4th… Read More ›
Despite an engaging aesthetic and good performances, “The Block Island Sound” doesn’t totally manifest. [Fantasia Film Festival]
Everyone has their favorite urban legends, mine typically revolve around abandoned places and towns that have no explanation in their abandonments. Others like bigfoot, the Loch Ness monster, or the Bermuda Triangle. It’s easy to see that the latter is… Read More ›
Following the fish-out-of-water rom-com formula, “A Mermaid in Paris (Une sirène à Paris)” is a dazzling visual treat. [Fantasia Film Fest]
Multi-talented writer and director Mathias Malzieu, who is known for his success as a novelist and musician as well as filmmaker, returns to this year’s virtual Fantasia Film Festival with a delightful grown-up fairytale. Malzieu’s previous animated film, Jack and… Read More ›
Documentary “Class Action Park” is incredibly riveting and oddly fun, despite it serious nature. [Fantasia Film Festival]
Ah, amusement parks; the sites of “controlled fun” that you either love or loathe. Whether you like the themes and characters of something like Disney World, the rides and thrills of Carowinds, or the wet-and-splashy water park fun of Wet… Read More ›
Dark comedy “Marygoround (Maryjki)” takes viewers on the wild ride of menopause. [Fantasia Film Fest]
Among the types of people underrepresented in film, surely women over 50 would rate in the top 10. When they do emerge, such characters tend to serve as guides, champions, or foes to the main character. Whether spouting sage wisdom,… Read More ›
Nobuhiko Ôbayashi’s “Labyrinth of Cinema” is a fitting final opus. [Fantasia Film Festival]
There is no film more indicative of “you either love it, or you don’t” than Nobuhiko Ôbayashi’s 1977 horror film, House. The surrealist and absurdist take on the typical haunted house story creates a film that defies all convention and… Read More ›
Sabrina Mertens’s “Time of Moulting (Fellwechselzeit)” lacks urgency within its coming of age tale. [Fantasia Film Festival]
Teen angst. Everyone has had it; hell, I still have it and I’m 24 (today is my birthday when this is published). It’s generally an integral part of our shaping as adults by going through the hormonal and emotional rollercoaster… Read More ›
“The Mortuary Collection” struggles to keep its stylistic balance, but it’s a fun, nostalgic ride. [Fantasia Film Festival]
The word “nightmarish” is one of those terms frequently thrown around when describing horror films. While the jump-scares, villains, and gore of the horror genre can certainly haunt us in our sleep, oftentimes, the plots of horror movies are quite… Read More ›
Dark comedic thriller “Patrick” is so beautifully filmed, you’ll forget all the characters are nude. [Fantasia Film Festival]
One of film’s unique narrative strengths is the camera’s ability to manipulate perspective. A movie can put us behind the mask of a serial killer on Halloween or on the tip of a shark’s nose just before it attacks. Point-of-view… Read More ›