Your age likely defines how you know actor Alex Wolff. If you’re my age (near 40), then films like The House of Tomorrow (2017), Hereditary (2018), and the two new Jumanji (2017, 2019) films are your touch points. If you’re… Read More ›
Alzheimer’s is often described as a “long goodbye.” It’s a progressive disease which slowly robs the individual of their memories and facilities, up to the point of loss of all communication skills and the inability to engage with anything around… Read More ›
A quiet film with fantastic suspense, “Wildland (Kød & blod)” is a different flavor of mafia movie. [Fantasia Film Festival]
Although the Fantasia International Film Festival was held virtually this year, it still featured an incredible lineup of wild and visceral films that celebrated everything gory and horrific. Many of the featured titles were loud and boastful with their colorful… Read More ›
“Words on Bathroom Walls” offers an astonishingly frank presentation of schizophrenia within a YA package.
Author Julia Walton’s 2017 young adult novel Words on Bathroom Walls centers on Adam Petrazelli, a high school senior whose dreams of culinary school seem destined for tragedy soon after he’s diagnosed with schizophrenia. Adapted for the big screen by… Read More ›
Bold, loud, and making no apologies, “We Are Little Zombies” is a striking feature debut for Makoto Nagahisa.
In spite of its colorful style and quirky video game motif, We Are Little Zombies is a surprisingly somber and thoughtful experience as it explores loneliness, death, and grief amid several ear worms. Written and directed by Makoto Nagahisa, We… Read More ›
For her first feature script, Joanne Sarazen (I Came Here Alone) nails the endless pain and difficulty of a parental toxic relationship: the way the parent, an incubus born of weaponized love, cycles through terrible behavior after terrible behavior, pulling… Read More ›
“The Witch: Subversion” balances multiple genres within a singular narrative to keep audiences on the edge of their seat.
There’s an elegance and simplicity to writer/director Hoon-jung Park’s The Witch: Subversion that all begins with the opening. Via photo montage with intense tonal scoring, The Witch sets up a mysterious cabal performing medical experiments on children: iron lungs, tubes… Read More ›
The art we engage with critically shapes who we become as adults. It molds how we view and engage with the world. It shapes our perspective, often subconsciously guiding us through the choices we make. For this review, it was… Read More ›
Greta Gerwig’s adaptation of “Little Women” masterfully captures the timelessness of the novel with a top-level ensemble cast.
Published in 1868, Louisa May Alcott’s novel Little Women continues to be read, studied, and poured over by readers of all ages and stripes. Alcott’s story of the four March sisters is timeless in nature, despite being anchored in the… Read More ›
“Waves” is an utterly transportive experience as it presents the ups and downs of pure love. [Film Fest 919]
“Stick to what you know” is something we’re told as kids to keep us stuck to the ways we’re used to and to not question authority, keeping us confined. It’s an adage that unfortunately sticks in many of our minds… Read More ›
Soulmates are bullshit and you know it. The idea that there is a single person for you in the entire world only for you is laughable at the very least. There are dozens of people in your town who you… Read More ›
A social and cultural shift took place shortly after Shaft hit theaters in 1971. Inspired by Ernest Tidyman’s novel and with influence from director Gordon Parks and actor Richard Roundtree as the titular character, Shaft became more than a household… Read More ›
After spending some time on the festival circuit in 2018, and providing a fan screening during 2019’s San Diego Comic-Con, genre-bending Freaks finally gets the theatrical treatment. Freaks relies far more on character work than action and writing/directing team Zack… Read More ›
Often in cinema, acclaim comes to non-disabled performers telling the stories of members of the disabled community. Jon Voight in Coming Home, Tom Hanks in Forrest Gump, and Sean Penn in I Am Sam are just a few which come… Read More ›
Time has a way of putting things into perspective. In our youth, we think it a limitless resource. In old age, we think it precious. Often, the older we become, the less concerned we are for how things look or… Read More ›
At their start, children are nothing but raw potential. As they grow, they are either lean into their potential or they run from it. Sometimes it’s a reaction to their environment, sometimes it’s in their nature, but it informs who… Read More ›
“Amaurosis” excels in unsettling audiences through sensory stimulation, creating a uniquely disturbing experience.
It’s not uncommon for film to offer a catharsis in an environment far safer than any other. Emotionally, audiences go on a journey — can be comical or horrific or anywhere in between — and when the credits roll, everyone’s… Read More ›
More often than not, pregnancy is compared to a “miracle,” as though the act of conception isn’t part of the biological make-up instilled within the human machine. Defining pregnancy and childbirth as a “miracle” creates undue pressure on the women… Read More ›
Let’s talk comedy; more specifically, international comedy. For little, misunderstood kids growing up in the South, it feels like we all had an outlet to express our humor when we found that ours didn’t fall under what was considered popular… Read More ›
Writer/director Sarah Pirozek’s teenage noir “#Like” pulses with the energy of a ‘70s thriller. [Brooklyn Film Festival]
There’s a constant argument between generations about who had it worse vs. who had it better. The “always on” digital generation may scoff at the concept of their predecessors’ reliance on books for information, while the analog generation derides their… Read More ›