There is something to be said about a movie that swings for the fences but only ends up at first base. There is something admirable about going for something unnerving, uneasy, and straight-up weird, and just missing the mark. Having… Read More ›
experimental
“The Man with the Big Hat” mirrors the style of its focal point, Steven Fromholz. [SXSW]
Documentarian Austin Sayre’s The Man with the Big Hat reintroduces audiences to the independent legend of country music, Steven Fromholz, name that, for many, has lived just outside the mainstream despite a songwriting legacy that quietly shaped the genre. Having… Read More ›
“Sinner Supper Club” delivers exactly what it promises. [SXSW]
The logline for Sinner Supper Club gives a rough idea for the movie. It’s “an improvised gay mumblecore ghost story shot on an iPhone in six days,” and I think that prepares audiences for exactly what they’re getting themselves into…. Read More ›
Meta thriller “And Her Body Was Never Found” is not #relationshipgoals, but it is a dynamic and cruel feature film directorial debut. [SXSW]
“L’enfer, c’est les autres.” – Jean-Paul Sartre in No Exit. Making movies is a large endeavor. Outside of the requirement for a creative idea, you also need the time to cultivate it, the financing to fund it, and the team… Read More ›