It’s always interesting and fun to see a great director try their hand at classic genres in cinema. With 1974’s Alice Doesn’t Live Here Anymore, director Martin Scorsese (After Hours) teamed up with screenwriter Robert Getchell (The Client) to bring… Read More ›
The whole sad affair is finally viewable at home with the new 4K restoration of Peter Bogdanovich’s iconic The Last Picture Show, whose Criterion release includes the new black and white edition of the Texasville’s director’s cut, previously only purchasable… Read More ›
What is to be said about the recently late, great William Friedkin’s The Exorcist (or in the case of the actual title shown at the beginning of the film, William Peter Blatty’s The Exorcist, if you want to get technical… Read More ›
Black Flag. Sex Pistols. The Clash. The Ramones. The Stooges. The Vandals. R. Buckminster Fuller? Something doesn’t quite fit here, right? At first glance, the inclusion of Fuller in a row of punk rock elite seems utterly ridiculous until you… Read More ›