The stories of Wes Anderson’s films can be best compared to Russian nesting dolls. Throughout their running time, the layers and deeper meanings begin to present themselves. Films like Fantastic Mr. Fox (2009), Moonrise Kingdom (2012), The Grand Budapest Hotel… Read More ›
2019’s surprise of the holiday season was writer/director Rian Johnson’s Knives Out, a whodunit that takes all the hallmarks of the great mystery writers and gave it his own spin. First, there’s the rich family where motive is everywhere and… Read More ›
Three years ago, Rian Johnson’s humble follow-up to …let’s just say, polarizing… Star Wars: The Last Jedi came out in the form of Knives Out. Unlike said film set in a galaxy far far away, the consensus on Knives Out… Read More ›
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
According to actor/writer/director Edward Norton, his relationship with Jonathan Lethem’s 1999 novel Motherless Brooklyn began before the book hit shelves. As he explains in the featurette “Making-Of: Edward Norton’s Methodical Process,” he was tipped off by a friend about the… Read More ›
The cinematic adaptation of Jonathan Lethem’s book Motherless Brooklyn by Edward Norton (Keeping the Faith) possesses all the hallmarks of a great noir: mystery, a dame in trouble, and a gumshoe in over his head. When you add in a… Read More ›
Being from Durham, North Carolina, I have seen a lot of changes happen in my city over the last few years. Durham kept a large, mostly black, working-class population due to the employment of so many citizens at the tobacco… Read More ›
Tis the season and that means cinemas are soon to be flooded with Dickensian tales of heartbreak and redemption. Collateral Beauty, the latest holiday offering, teams director David Frankel (Marley & Me) and writer Allan Loeb (The Space Between Us)… Read More ›