We’re only slightly over a month into 2026 and it has already been a *rough* year for video game adaptations. First we had Return to Silent Hill, which our very own EoM Senior Critic Hunter Heilman, fan of the franchise,… Read More ›
DREAD
Takeish Kushida’s “Woman of the Photographs” explores the warped nature of self perspectives.
Whenever I see a film that is on a subject that I know is controversial, I try to place myself in at least the headspace of the main character (when able to) to see if I can connect and resonate… Read More ›
“Tiny Cinema” avoids the typical pitfalls of cinematic anthologies.
Anthologies either in television or in film deserve a special place in Hell, in my personal opinion. Now that is an incredibly bold statement, but if a story is being told and two thirds of it are fantastic, but then… Read More ›
Ambitious sci-fi thriller “The Fare” is now available on home video.
From director D.C. Hamilton and screenwriter Brinna Kelly, The Fare is a film that almost defies categorization. At times, if feels like a science-fiction mystery, with shocking and striking narrative shifts. At other points, it appears as a romantic dramedy,… Read More ›