No one who is involved in making movies goes out of their way to make anything less than spectacular. This does not mean every movie is going to be gold, nor does it mean every movie is going to be… Read More ›
Dread Central
Takeish Kushida’s “Woman of the Photographs” explores the warped nature of self perspectives.
Whenever I see a film that is on a subject that I know is controversial, I try to place myself in at least the headspace of the main character (when able to) to see if I can connect and resonate… Read More ›
“Tiny Cinema” avoids the typical pitfalls of cinematic anthologies.
Anthologies either in television or in film deserve a special place in Hell, in my personal opinion. Now that is an incredibly bold statement, but if a story is being told and two thirds of it are fantastic, but then… Read More ›
Korean thriller “Midnight” weaponizes perception, creating a deceptively devious night of horror.
There are some films that come along and you think to yourself “I need to see this.” It’s how I felt with the announcement of Everything Everywhere All At Once (2022) and The Unbearable Weight of Massive Talent (2022), but… Read More ›