To ignore history is to imprison yourself in repetitive cycles. Even worse, to make presumptions based solely on what you’re told is to doom yourself to being a keystone cause of those cycles continuing. This is a key component in… Read More ›
Dermot Mulroney
“Like Father Like Son” lacks tension in its attempt to challenge its audience.
Trigger Warning: Like Father Like Son utilizes frequent use of unexpected fast cuts with visual imagery accompanied by white flashes which may disturb photosensitive viewers. What makes a killer a killer? For centuries, this question has been asked by plebs… Read More ›
Despite a loaded action cast, “Lights Out” fails to find its fit.
Inside Lights Out are two wolves: one is a post-war drama involving a solider struggling with PTSD and lost meaning from time in the service, while the other is a thriller involving cops on the take and the money they’re… Read More ›
Regulators! Mount up for this 35th anniversary first-time HD and 4K UHD edition of “Young Guns.”
“We regulate any stealing of his property. We’re daaaamn good, too. Mr. Tunstall’s got a soft-spot for runaways, derelicts, vagrant types. But you can’t be any geek off the street. You gotta be handy with the steel, if you know… Read More ›
“Scream VI” Digital Code Giveaway
For the first time in the Scream series, Ghostface left Woodsboro, an almost symbolic gesture as the filmmaking team Radio Silence fully took their reins of the now-legendary franchise in order to make it their own. EoM senior critic Hunter Heilman… Read More ›
Radio Silence’s “Scream VI” moves the thrills and bodybags away from Woodsboro and onto an exciting new path.
Caution: I will obviously not be discussing spoilers to this film, because I’m not cruel and the whole point of these films is the fun “whodunnit” of it all, but I am somewhat forced to discuss some spoilers from Scream… Read More ›
Sandra Oh-led horror film, “Umma (엄마),” is available on home video now.
In a world of more opportunity for those who don’t all fit the same straight white male checklist, there are a plethora of new and exciting perspectives being shown by budding new filmmakers, making the film world a more interesting… Read More ›
“The Cow” fails to deliver on an intriguing concept. [SXSW Film Festival]
There was a viral tweet going around a few days ago from E! News with some truly stunning pictures of Anne Hathaway and a caption that read “Did Anne Hathaway make a deal with the devil? She is literally aging… Read More ›
Kino Lorber offers a home video restoration on Jennifer Connelly/Frank Whaley comedy “Career Opportunities.”
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be discussing the creative bankruptcy of John Hughes ‘90s output that… Read More ›