Coming of age stories come in all shapes and sizes. Sometimes they’re joyous, ridiculous tales like Weird Science (1985), dramatic like Baby, Don’t Cry (2021), or explorations of addiction and trauma like Trainspotting (1996). The story within writer/director Eoin Macken’s… Read More ›
Of the films to drop in 2019, none impressed this reviewer more from a technical perspective than Sam Mendes’s 1917. Designed, shot, and edited to create a seamless one-take feel, 1917 became one of the year’s most immersive experiences without… Read More ›
Technical mastery and a poetic approach to direction make director Sam Mendes’s “1917” an unforgettable experience.
Dunkirk. Hacksaw Ridge. Saving Private Ryan. The Thin Red Line. All Quiet on the Western Front. Each of these films found a provocative way to tell a war story. Whether it’s the tickticktick of Hans Zimmer’s Dunkirk score accompanying overlapping… Read More ›
Memoir adaptation “Blinded by the Light” puts a Springsteen soundtrack to a journey of self-identity.
When people talk about something being “timeless,” what do they mean? Are they referring to the aesthetic? To the sound? What about the structure? It’s all of these things and none of these things as timelessness refers to the innate… Read More ›
If you want a Prestige Picture, look elsewhere. If you’re in the mood for some fun, then it’s hail to “The King.” [Film Fest 919]
The idea of another prestige period drama is almost physically exhausting to my body at this point. Hell, The King isn’t even the first prestige period drama for Netflix in the last year, with David Mackenzie’s admirable, but not heavy-hitting,… Read More ›