The Unholy Trinity (2024) is a film that, at first glance, seems tailor-made for fans longing for a return to the gritty, dust-caked charm of old-school westerns. With its barren landscapes, tense shootouts, and a score that leans into the… Read More ›
On this latest episode of EoM Presents, EoM Contributor Joel Winstead sits down with director Robert Schwartzman to discuss his latest project, The Good Half. They talked about finding a tonal balance in a film about grief with many comedic… Read More ›
In its history, horror has covered a wide range of styles, formats, and tones. It was only a matter of time before the genre would turn inward to look at itself, which it did with aplomb in 1996’s Wes Craven-directed… Read More ›
Legacy — those who create it rarely live to see it last. Lin-Manuel Miranda’s Hamilton has a line in which legacy is described as “planting seeds in a garden you never get to see grow.” In 1996, master filmmaker Wes… Read More ›
I love me a good period horror film, and I particularly love those set on the American frontier, and while Ghosts of the Ozarks isn’t *technically* frontier territory, there was a down-home charm the trailer gave off that made me… Read More ›
NOTICE: I will obviously not be discussing spoilers or fun reveals for this film, however, I will be divulging the very basic plot setup, as well as spoilers for previous Scream films. You’ve had decades, don’t get mad at me… Read More ›
Wes Craven’s Scream premiered in December 1996, one day after I turned 16. For those who know me, horror is not my primary genre. Before I knew it had a name (hypnagogia), I would see things in the dark —… Read More ›
In this interview, Thomas Manning sits down with directors David Darg and Price James, the filmmakers behind the Fantasia Film Festival selection documentary, You Cannot Kill David Arquette. Branded as the most hated man in wrestling after winning a highly… Read More ›