Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. This time we’ll be taking a look at a pop culture milestone coming… Read More ›
In her 21-year career, director Dorothy Arzner directed 16 films, with three others uncredited, and one in which she served as a sequence director. In the history of filmmaking, a career like Arzner’s is largely forgotten between the capitalist and… Read More ›
Writer/director Olivier Assayas’s Irma Vep is many things at once. It’s a comedic look at the making of a film, capturing the swirling chaos as various departments and personalities come together to create art. It’s a dramatic piece exploring how… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. I’m taking a different approach this time around and decided to focus on… Read More ›
The Cine-Men return from an extended break so it’s only fitting that the episode is extended, as well. On this episode, we not only discuss a handful of recent watches and challenges (Thief via HBO Max and In & Of… Read More ›
Since its inception, The Criterion Collection has become both preservationist and distributor of arthouse cinema (with a few exceptions for more populist material (what’s up, Armageddon?)). In keeping with this, they’ve partnered with Martin Scorsese’s World Cinema Project on three… Read More ›
Two years after the release of Man Push Cart (2005), writer/director Ramin Bahrani followed it with Chop Shop (2007), a thematic continuation of the immigrant story he began with Ahmad the Pakistani food cart owner. Though actor Ahmad Razvi does… Read More ›
It’s interesting how things rarely change with time. There are incremental changes, sure, shifts in the way people dress or the meanings of words, but, largely, there are some things which remain. A sadness, a true melancholy, shrouds our existence,… Read More ›
Before The Revenant (2017), before Birdman or (The Unexpected Virtue of Ignorance) (2014), before Biutiful (2010), and before 21 Grams (2003), writer/director Alejandro Iñárritu made his feature debut with 2000’s hard-hitting Amores perros, a title translated to English as “Love’s… Read More ›
Originally released in 1999, writer/director Jim Jarmusch’s Ghost Dog: The Way of the Samurai is the latest film to receive the Criterion treatment. The film is a rare oddity in that is very much of its period, yet is absolutely… Read More ›
It’s difficult to say what qualifies a film for the “Criterion treatment.” They’ve restored a variety of films believed lost like Brute Force, produced updated versions of award-winning stories like Taste of Cherry, and they’ve produced first-run (or as close… Read More ›
From modern programs like Lucifer, The Flash, Brooklyn Nine-Nine, and Blue Bloods to more classic ones like Law and Order, The Mod Squad, and Hill Street Blues, each of these procedural variants owe their existence in large part to the… Read More ›
Released June 30th, 1947, Jules Dassin’s (Rififi) Brute Force opened and took audiences and critics by storm. The film, a prison break picture, would startle and terrify as it depicted life inside prisons as one of moral decay, not because… Read More ›
How often do you read or see something that excites you, titillates you, and perhaps even angers you? As we grow ever closer to a presidential election, it seems almost daily that such an occurrence happens. Articles, photos, and videos… Read More ›
The way an audience perceives art is by framing it within their own experience. This can be taken literally, as in someone considers their lifetime experience against what they are engaging in, or it can be taken more figuratively, as… Read More ›
Within the comedy section of the Silent Film Era of the 1900s-1920s, there are a few names which standout, escaping from not just the conversations of the educated or cinephile circles but within the zeitgeist. Actors like Charlie Chaplin, Harold… Read More ›
Director Dorthy Arzner’s Dance, Girl, Dance is joining the ranks of other Criterion Collection releases in May 2020 alongside The Great Escape (1963), a collection of five of Martin Scorsese’s short films titled Scorsese Shorts, Wildelife (2018), Husbands (1970), and… Read More ›
When it comes to provocative storytelling, there really is no one else like writer/director Spike Lee. More than any modern artist, Lee minces no words with his films, cutting straight through the bullshit each and every time. In his 2015… Read More ›