“You can’t take anything with you when you die, except your deeds.” – Lee Fun Yee (Cecilla Cheung) in Running on Karma Established in 1996 by director Johnnie To and frequent collaborator Wai Ka-Fai, production house Milkyway Image Ltd. would… Read More ›
When 2022 was happening and the announcement that Quentin Tarantino’s first feature ever was going to be released in 4K, everyone was foaming at their mouth with anticipation that not only was this going to be a *good* release but… Read More ›
“The Bride: You and I have unfinished business. Bill: Baby, you ain’t kidding.” – Kill Bill, Vol. 2 (2004) It’s 2025 and filmmaker Quentin Tarantino is actively developing his 10th, and rumored final, film. Though incredibly divisive for the dialogue… Read More ›
The Criterion Collection always tries to curate releases that get the cinephile community excited and talking about their addition to Criterion’s Closet and film lovers’ shelves. The quality of release is always top-notch as it’s filled with a plethora of… Read More ›
Satire of any sort is a difficult storytelling genre to nail. Go too far in one direction, people dismiss the ideas as far-fetched and implausible (ex. the revelation of Sorry to Bother You (2018)); go too far in the other,… Read More ›
The real world is a mess. Just about everywhere you look there’s something to be despondent about, whether it’s the state of the global climate, the power grab by nationalist parties within global governments, or the general vibe of “get… Read More ›
Like many in the Hong Kong scene, Donnie Yen has worn and continues to wear many hats. He’s been a member of a stunt team (The Miracle Fighters) and an actor (Tiger Cage; Blade II), sometimes on the same project;… Read More ›
Filmmaker David Fincher has released some of the most beloved thrillers in modern cinema. If “beloved” feels like too strong a term, certainly “dissected” and “explored” would be appropriate. Making the leap from music video to cinema with the contentious… Read More ›
On this episode of Meet Me at the Movies, Thomas Manning gets to pitch a question to actors Jude Law and Nicholas Hoult to discuss their new film, The Order, based on a gripping true story. Manning explores how the… Read More ›
2024 has been a banner year for movies (despite what social media and some people may have you think) and a strange one for Warner Brothers. Before diving into the home release of Joker: Folie à Deux, I want to… Read More ›
People always say “if at first you do not like something, you should give it another chance,” and that general principal is typically a good one, the exception being that if you have deep vitriol for something, your mind is… Read More ›
There is nothing and I mean *nothing* more annoying that a hotly anticipated 4K release being gatekept behind the identity of a collectors/anniversary/limited edition multipack for it to be singularly released a few months later. Now I am not saying… Read More ›
On this episode of Meet Me at the Movies (Open Dialogue), host Thomas Manning pitches a question to Nicholas Hoult to discuss his role as Bob Mathews in the film The Order. Based on a true story, this powerful film,… Read More ›
From Zach Baylin, the writer of Creed III (2023), King Richard (2021), Gran Turismo (2023), Bob Marley: One Love (2024), and The Crow (2024), and Justin Kurzel, the director of Macbeth (2015) and Assassin’s Creed (2016), comes one of the… Read More ›
Whether literally or metaphorically, nostalgia is always for sale. By tapping into your rose-colored memories, companies have you ready to buy anything under the guise of it helping you escape the hardships of the present for even a moment. Doesn’t… Read More ›
“You can’t see everything.” These four words were a commonplace statement by me on episodes of The Cine-Men (RIP), a way to deflect and soften the fact that while the mind is willing, time and opportunity don’t often allow someone… Read More ›
Whether the films work for you or not, there’s no denying that an M. Night Shyamalan film is going to provoke a reaction; we’re not talking heavily divisive so much as generating conversation with audiences heralding the best parts and… Read More ›
Redemption stories come in a great many forms. Time loops stories utilize the constriction created by a repeated day(s) to force introspection and change, the loop broken in comedies (Groundhog Day), dramas (The Map of Tiny Perfect Things), and horror… Read More ›
Long before Knives Out (2019) and Poker Face (2023 – ?), Rian Johnson was starting his whodunnits by showing us the dead body. Brick (2005) has a new release out from Kino Lober, and, surprising no one ever, the compositions… Read More ›
As a huge fan of Batman, I can confirm and say confidently I thought Todd Phillip’s Joker was good, but that’s about it. It certainly was not the Clown Prince of Darkness we’ve come to see on screen or really… Read More ›