In another reality, modern audiences would be elbow-deep in the modern monsterverse Universal Pictures dubbed the “Dark Universe,” which kicked off with the release of 2017’s The Mummy. It was all in place with cast and concept, but the failed… Read More ›
We are gathered here, today, to acknowledge the end of the Sony’s Spider-Man Universe (SSU) with the home release of the J.C. Chandor-directed Kraven the Hunter (2024), the latest attempt of taking an absolute bastard villain and turning him into… Read More ›
It may seem strange to describe any part of Poor Things as conventional. This bold and highly imaginative fantasy is the eighth feature film directed by Yorgos Lanthimos, a 21st-century auteur who has made a name for himself with his… Read More ›
There’s something particularly wonderful about a film that challenges you, one which unnerves, unsettles, and burrows in, prompting contemplation past its clear end. This happens with joyful films like Over The Moon (2020), whose infectious songs linger, instilling a desire… Read More ›
Hollywood nepotism can be frustrating at times. With so many burgeoning actors and filmmakers bursting onto the scene in their family member’s footsteps, it can sometimes feel unfair to the whole selective process that weeds so many quality filmmakers out… Read More ›
February is becoming a strange month. Like January, February tends to be a dumping ground for films not likely to find an audience or for films leaning into Hallmark’s notion of love. While some aspects of this remain true (markets… Read More ›
There’re a lot of comparisons between writer/director Sebastián Silva’s Tyrel and Jordan Peele’s Get Out simply because each feature a Black male engaging with a group of white individuals in a remote New York location. Both do explore race, but… Read More ›
There’s something undeniably alluring about space. The way it feels both intimately close and desperately far; in range of our eyes, yet out from our hands. To quest beyond our atmosphere, to journey into the deep black, to discover what… Read More ›
From A24, the studio that brought you the tragicomedy The Lobster and the delightfully morbid Swiss Army Man, comes psychological mystery It Comes At Night, helmed by director Trey Edward Shults (Krishna). Though it starts with all the hallmarks of… Read More ›