In the brief and brand-new featurette “Physical Media Kicks Ass,” writer/director Matthew Vaughn (Layer Cake; Kingsman series) discusses his longtime love of physical media, referring to it at one point as “romantic,” the context being that owning a physical version… Read More ›
Chloë Grace Moretz
Arrow Video adds a limited edition of Martin Scorsese’s “Hugo” to their collection.
Martin Scorsese is one of the best directors working in the industry today. In his cavalcade of mature and grown-up films, there are not many for kids. His 2011 film Hugo was a unique piece of his overall filmography. The… Read More ›
In a period of uncertain times, “Nimona” celebrates the rejects.
“Fear makes the wolf bigger than he is.” – German proverb. In the stories we tell, if there’s a hero, there’s a villain, someone for the bold and courageous to conquer; otherwise, how are they to be bold and courageous?… Read More ›
A road trip with the Addams Family shouldn’t be so unexpectedly disastrous.
They’re creepy, kooky, mysterious, spooky, and are back for a second animated film from returning directors Greg Tiernan (Sausage Party) and Conrad Vernon (Monsters vs. Aliens). Where the first film explored assimilation versus individuality, the second outing is more interested… Read More ›
If “‘Wolfenstein’ in the Pacific Theater” meets “Overlord” sounds enticing, check out director Roseanne Liang’s “Shadow in the Cloud.”
It’s a tough conversation, but one that needs to be addressed head-on before jumping into actually talking about the film itself. Shadow in the Cloud, despite its best efforts, is written by Max Landis. Landis, the son of veteran filmmaker… Read More ›
“Suspiria” utilizes dance as a conduit for horror in ways not yet seen on screen before.
Let’s talk about the 1977 Suspiria, shall we? In the grand scheme of 20th-century horror, it doesn’t really get much finer than Suspiria. Sure, it’s pretty light on substance and heavy on style, much in the vein of other horror… Read More ›