Storyteller Wes Anderson broke onto the scene with 1994’s Bottle Rocket and hasn’t really looked back. He’s developed a signature style while assembling what’s best described as a theatrical troupe, a set of actors who relish the chance to return… Read More ›
How does one describe Gaspar Noé and his films to the uninitiated? “Unconventional” barely scratches the surface of what covers the vast swath of aggressive, assaulting, psychedelic, hypersexual, ultra-violent, anxiety-ridden, nihilistic, and overwhelming trademarks that pervade Noé’s body of work…. Read More ›