I love me some Shirley Jackson, and, more specifically, I love her 1959 novel The Haunting of Hill House and have since I first started getting into horror early in my adolescence. Jackson’s novel was one of the first horror… Read More ›
The truth is often less exciting, less inspirational than fiction. My presumption for this is not because the truth lacks power, but that our individual imaginations build up ideas until they are larger than any one person or concept. It’s… Read More ›
Teddy Grennan takes a stab at rape-revenge with “Ravage,” a well-intentioned but misguided horror flick.
Anyone familiar with rape-revenge films knows that the formula for this horror sub-genre can be particularly tricky. While the genre continually offers up new ways for audiences to process and discuss trauma, rape-revenge films can be quite problematic when not… Read More ›
When any person remotely familiar with the art of filmmaking hears the name “Quentin Tarantino,” there are a number of ideas that might come to mind. Whether it is the unparalleled mastery of explicit dialogue, the bizarre concentration on highly… Read More ›
After spending some time on the festival circuit in 2018, and providing a fan screening during 2019’s San Diego Comic-Con, genre-bending Freaks finally gets the theatrical treatment. Freaks relies far more on character work than action and writing/directing team Zack… Read More ›
Often in cinema, acclaim comes to non-disabled performers telling the stories of members of the disabled community. Jon Voight in Coming Home, Tom Hanks in Forrest Gump, and Sean Penn in I Am Sam are just a few which come… Read More ›