In this edition of Open Dialogue, Thomas Manning chats with Bella Ramsey and Andrew Scott about their roles in Catherine Called Birdy, a medieval coming-of-age comedy directed by Lena Dunham. Clips are used by permission for review, interview and media… Read More ›
In this conversation, EoM contributor Thomas Manning speaks with director/co-writer Julian Higgins about his debut feature, God’s Country. During this discussion, Higgins talks about adapting James Lee Burke’s short story into a feature film, working with Thandiwe Newton in this… Read More ›
If you’re an adult of a certain age, when you hear the name “Fletch,” you immediately think of Chevy Chase. Across two films, Fletch (1985) and Fletch Lives (1989), audiences watched the fast-lipped investigative reporter find his way into and… Read More ›
There’s a subgenre in film that features a very simple and comfortable setup: retired/reclusive individual meets a young individual, forms a bond (often reluctantly), young individual gets into trouble (usually kidnapped) causing the retired/reclusive individual to jump back into action…. Read More ›
Bonnie Hunt is a writer, actress, producer, voice talent, and director of film and television. She’s been connected to such films as Rain Man, Jerry Maguire, Jumanji, Cheaper by the Dozen, The Green Mile, and more. Now, she’s come together… Read More ›
Directing team the Russos (brothers Joe and Anthony) are no strangers to adapting works for cinema. If their work on 2014’s Captain America: The Winter Soldier wasn’t enough to gain your attention, their directing of the end of the Marvel… Read More ›
Despite the *extremely* confusing marketing for director Doug Liman’s live-action adaptation of Hiroshi Sakurazaka’s All You Need Is Kill as either Edge of Tomorrow (theatrical) or Live. Die. Repeat: Edge of Tomorrow (home release), this Tom Cruise and Emily Blunt-led science fiction actioner… Read More ›
Mr. Wolf, Mr. Snake, Mr. Shark, Mr. Piranha, and Ms. Tarantula. Without hesitation, any cinephile will think you’re talking about Quentin Tarantino characters whose origins either come from Reservoir Dogs (1993) or Pulp Fiction (1994). In reality, these are the… Read More ›
If there’s one thing that’s been an improvement for movie fans since the start of the pandemic, it’s been the increased access to new films. With the theaters all but shut down, films whose releases weren’t moved over and over… Read More ›
July 15th, 2015, saw the release of Aaron Blabey’s kids book “The Bad Guys: Episode 1.” It introduced the world to Mr. Wolf, Mr. Piranha, Mr. Snake, and Mr. Shark and their quest to shift how the world sees them… Read More ›
“You have to keep me in shoes.” Of all the stories my late grandmother Naomi Pearl Russin Royal told, the one involving my late grandfather’s proposal and her response always amused me. As she told it, she had larger feet… Read More ›
Continuing their reimaging of Agatha Christie’s Hercule Poirot detective stories, Oscar-winning actor/director Kenneth Branagh (Belfast) and screenwriter Michael Green (Murder on the Orient Express) re-team for Death on the Nile. This star-studded crime drama not only offers thrills, chills, and… Read More ›
It’s fair to say that by 2007 Mark Wahlberg had established himself beyond the musician that captivated audiences with his good vibrations. He’d terrified us as obsessive boyfriend David McCall (Fear), dazzled us as a big bright shining star as… Read More ›
Started by creator Gege Akutami in March 2018, Weekly Shōnen Jump series Jujutsu Kaisen is a supernatural horror/comedy action series involving sorcerers who protect the world’s population by destroying or controlling curses (primarily sentient monster-like creatures) that come to being… Read More ›
Few directors can have a small body of work and yet feel so pervasive, so integral, so inspiring as writer/director Guillermo del Toro. When he’s not writing or directing one of his own projects, he’s producing or raving about someone… Read More ›
Remember adult thrillers? Remember when major studios actually made them? James Mangold’s Identity at Columbia, Tarsem Singh’s The Cell at New Line Cinema, or even Nimrod Antal’s criminally underrated Vacancy at Screen Gems. It doesn’t really matter if films like… Read More ›
Prison movies come in a variety of flavors. There’re comedies like the various incarnations of The Longest Yard, science fiction horror like 1992’s Alien³, action like 2013’s Escape Plan, and dramas like 2001’s The Last Castle. If I had to… Read More ›
There’s an old saying, “Time heals all wounds,” which implies that one becomes whole again after a period of restoration. This isn’t the case, though, really. As was reminded to me recently, wounds heal, you’re just not as you once… Read More ›
A young boy struggling with loss. An outsider who brings the opportunity for healing. A journey that mixes the fantastic with the real. This describes any number of child-centered stories from cinematic classics like E.T. the Extra-Terrestrial (1982) and The… Read More ›
There are some works of science fiction that never seem to let go once they get their grasp on society. William Gibson’s Neuromancer was published in 1984, but it still felt just as vital and prescient when I read it… Read More ›