Director Richard Linklater (Nouvelle Vague) has been actively communicating with the past, meaning he has released two films within the past year that pay homage to the figures behind classic films and musicals. Alongside Nouvelle Vague, a film about the… Read More ›
Photosensitivity Warning: There is a brief sequence of strobing that may trigger migraine or other neuro reactions from sensitive viewers. Be advised that it’s well into the film and occurs only once in the back half of the adventure. Less… Read More ›
Rian Johnson is back with Benoit Blanc for a new mystery that is coming for a short theatrical window before hitting Netflix. His third entry in his murder mystery franchise is arguably the worst one unfortunately. This is not to… Read More ›
Director Richard Linklater’s films hold a deep personal connection to me. From the Before trilogy’s sense of love and yearning, to the mellow qualities of Dazed & Confused (1993) and Everybody Wants Some!! (2016), they show a serious directorial range…. Read More ›
January is often viewed by those who track film releases as a doldrums period. Either theaters are filled with awards-hopefuls or the titles that studios/distributors dump in hopes of recouping some of their investment. Yes, this even applies to digital… Read More ›
We live in a world, it seems, where every single thing anyone ever does gets criticized and argued about no matter how absolutely fantastic and incredible things are. No matter what a company or someone does, there’s always going to… Read More ›
All of Us Strangers is about memories, grief, and love. It’s about reconciling the past with the present and navigating the space in between. If you missed the U.S. theatrical release in December, you can stream All of Us Strangers… Read More ›
In this edition of Open Dialogue, Thomas Manning chats with Bella Ramsey and Andrew Scott about their roles in Catherine Called Birdy, a medieval coming-of-age comedy directed by Lena Dunham. Clips are used by permission for review, interview and media… Read More ›
Of the films to drop in 2019, none impressed this reviewer more from a technical perspective than Sam Mendes’s 1917. Designed, shot, and edited to create a seamless one-take feel, 1917 became one of the year’s most immersive experiences without… Read More ›
Dunkirk. Hacksaw Ridge. Saving Private Ryan. The Thin Red Line. All Quiet on the Western Front. Each of these films found a provocative way to tell a war story. Whether it’s the tickticktick of Hans Zimmer’s Dunkirk score accompanying overlapping… Read More ›