Andrea Riseborough. That’s it; that’s the review. …okay fine, I’ll say more. If there’s anyone who has been a film festival genre darling in the past couple years, it’s been Andrea Riseborough. Her transformation from British prestige drama actress to… Read More ›
There’s something particularly wonderful about a film that challenges you, one which unnerves, unsettles, and burrows in, prompting contemplation past its clear end. This happens with joyful films like Over The Moon (2020), whose infectious songs linger, instilling a desire… Read More ›
Hollywood nepotism can be frustrating at times. With so many burgeoning actors and filmmakers bursting onto the scene in their family member’s footsteps, it can sometimes feel unfair to the whole selective process that weeds so many quality filmmakers out… Read More ›
Some films need to be seen and experienced to be believed; where rumor becomes hype and gives way to the possibility of a false god or a new revelation. As with all things, where you fall depends on how well… Read More ›