The stories of Wes Anderson’s films can be best compared to Russian nesting dolls. Throughout their running time, the layers and deeper meanings begin to present themselves. Films like Fantastic Mr. Fox (2009), Moonrise Kingdom (2012), The Grand Budapest Hotel… Read More ›
“Do nothing, works for tons of actors.” – Ray Liotta as The Producer. Fool’s Paradise is the directorial debut of It’s Always Sunny in Philadelphia (2005-present)’s Charlie Day. It’s a comedy about the absurdity and tragedy of the business of… Read More ›
“Well, now that you’ve seen our film you are an accomplice to murder. And so we ask you to remember that it’s very much within your interests not to tell a soul outside of this theater who dunit.” It’s with… Read More ›
“Oh, I like murder.” Agatha Christie’s The Mousetrap Act I, Scene 1, Page 11 Murder mysteries are a staple of storytelling. Whether set upon a stage, in print, broadcast on your television, presented on the silver screen, or in your… Read More ›
Released in January, Adrien Brody starred in the dramatic thriller Clean, which he co-wrote with director Paul Solet. If you missed this redemption story when it dropped or are just prefer to own the cinematic stories you watch, Clean will hit… Read More ›
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
On January 27th, 1945, the Soviet Red Army liberated those individuals the Nazis had imprisoned at Auschwitz-Birkenau, the largest concentration and death camp in operation. In recognition of that act, the United Nations established International Holocaust Remembrance Day in 2005… Read More ›