Before Oscar-nominee Michelle Yeoh (about damn time) traveled everywhere all at once, before she was a rich Asian, before she played a Chinese agent alongside 007, Yeoh was part of a heroic trio, a royal warrior, and, for the Hot… Read More ›
See Gaspar Noé’s “Irreversible (Irréversible)” restored in 2K and recut in chronological order in the brand-new “Straight Cut (Inversion Intégrale).”
Content warning: Irreversible contains extreme depictions of violence, rape, racism, homophobia, transphobia, misogyny, strobe effects, disorienting cinematography and soundtrack, and whatever else you can think of. If you could be negatively affected by something, it’s most likely on full display… Read More ›
Lost for 40 years, Jean-Denis Bonan’s thriller “La Femme Bourreau (A Woman Kills)” receives both a restoration and wide release, courtesy of Radiance Films.
Art imitates life when it comes to timing. One can never predict how something will be received and, even things prognosticators think is a shoe-in, could fall flat. Sometimes the politics of the day get in the way, other times… Read More ›
Shout! Factory’s “Jackie Chan Collection: Volume 1 (1976-1982)” showcases some of Chan’s early works.
When it comes to martial arts films, there are many great current actors who can pull off the action, but uncommon is the actor who can do so without the aid of a stunt double. Conversely, there are great martial… Read More ›
Arrow Video presents director Johnnie To’s “Running Out of Time” collection in a lovely 2K restoration.
There was a time when the transition away from physical media to digital seemed like a gift as largely hard-to-find media became accessible. Without getting into the larger economic issues within their respective areas, the shift toward digital acquisition with… Read More ›
Famed director Ang Lee’s first feature-length film, “Pushing Hands,” receives a lovely 2K restoration from Film Movement.
As an adolescent, I heard about director Ang Lee’s films — Eat Drink Man Woman (1994), Sense and Sensibility (1995), The Ice Storm (1997) — but it was Crouching Tiger, Hidden Dragon (2000) that would be my entry point into… Read More ›
“Pushing Hands” Blu-ray Giveaway
Director Ang Lee’s filmography includes such greats as Eat Drink Man Woman (1994), Sense and Sensibility (1995), Crouching Tiger, Hidden Dragon (2000), and Brokeback Mountain (2005). Coming to home video from Film Movement on May 10th is a 2K restoration of Lee’s feature-length directorial… Read More ›
Enjoy sci-fi fish-out-of-water comedy “My Stepmother Is an Alien” once more thanks to an Arrow Video 2K restoration.
There are some films that one sees in their youth and then remembers nothing about them (save for a few pieces here and there) in their adulthood. It could be a film they saw on home video or cable. It… Read More ›
Writer/director Andrei Tarkovsky’s meditative “Mirror” is his fifth film to join The Criterion Collection.
Spine #1084 of The Criterion Collection is writer/director Andrei Tarkovsky’s Mirror, the fifth of his films to be added to the collection. A Russian filmmaker, Tarkovsky helmed 12 projects over his lifetime, including one short and one made-for-TV movie. Upon… Read More ›
Arrow Video’s 2K restoration of “Death Has Blue Eyes” exemplifies their mission of cinematic preservation.
Death Has Blue Eyes (To koritsi vomva) is an easy film to summarize but a difficult one to describe. It’s a science fiction thriller in a sexploitation package. Beyond this, though, is where the film gets tricky due to a… Read More ›
Writer/director Djibril Diop Mambéty’s “Touki bouki (Journey of the Hyena)” finally gets a solo Criterion release.
Since its inception, The Criterion Collection has become both preservationist and distributor of arthouse cinema (with a few exceptions for more populist material (what’s up, Armageddon?)). In keeping with this, they’ve partnered with Martin Scorsese’s World Cinema Project on three… Read More ›
Experience director Ryûhei Kitamura’s newly restored exercise in controlled escalation, “Versus,” in a brand new way.
By director Ryûhei Kitamura’s own admission, labels are reductive and restrictive. Though they may help audiences to know where to look on the shelf for something or programmers to know where to schedule, labels imply as much the absence of… Read More ›