During the featurette “Dream Team,” first-time feature director Lawrence Lamont (Rap Sh!t) describes to producer Issa Rae (Insecure; The Lovebirds) the homages within One of Them Days, referring to both Friday (1995) and Superbad (2007). Each of these comes from… Read More ›
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Documentary “Thank You Very Much” revisits the enigma that was Andy Kaufman.
If you don’t know who Andy Kaufman is, then you’ve probably been living under a rock, or never were a fan of comedies. While Kaufman may have been a polarizing figure, for better or worse, he is arguably on the… Read More ›
Not another A.I. movie: Find out what sci-fi thriller “Renner” has to offer.
Movies about rogue AI technologies aren’t new, but they are becoming increasingly relevant as AI takes on a bigger role in our everyday lives. With dozens of AI-related movies to borrow from, it’s easy to write a story about the… Read More ›
You could bring the horror of possession tale “Devils Stay” home or ….. not.
A staple of cinema is the horror story: possession, corruption, soul-trading. You name it and horror is going to give it to you. For his first feature film, writer/director Hyun Moon-seop utilizes the well-worn path of demon possession in his… Read More ›
The home release of disjointed “Wolf Man” brings enjoyable special features.
In another reality, modern audiences would be elbow-deep in the modern monsterverse Universal Pictures dubbed the “Dark Universe,” which kicked off with the release of 2017’s The Mummy. It was all in place with cast and concept, but the failed… Read More ›
In an era of hypernormalization, Geremy Jasper’s musical opera “O’Dessa” may just be the seed for revolution. [SXSW]
Trigger Warning: Photosensitive viewers should take precautions before viewing as they are several brief sequences and two longer sequences involving flashing lights. “… to comfort the disturbed and disturb the comfortable …” There’s a long tradition of using stories to… Read More ›
“Moana 2” is a satisfactory sequel with solid bonus features worth exploring in the home release edition.
Trigger Warning: There are several sequences involving flashing lights (especially in the climax) which may be difficult for photosensitive viewers. One cannot deny the infectious nature of co-director John Musker and Ron Clements’s 2016 animated adventure Moana. Between the culturally-specific-yet-universal… Read More ›
With “Kraven the Hunter,” Sony sets the same traps for itself in its latest and last Spider-Man Universe film.
We are gathered here, today, to acknowledge the end of the Sony’s Spider-Man Universe (SSU) with the home release of the J.C. Chandor-directed Kraven the Hunter (2024), the latest attempt of taking an absolute bastard villain and turning him into… Read More ›
Strength and Honor: “Gladiator II” comes home on physical formats.
By 2000, actor Russell Crowe had made a name for himself in the U.S. through work in The Quick and the Dead (1994), Virtuosity (1995), L.A. Confidential (1997), and The Insider (1999). It would be his turn as Maximus Decimus… Read More ›
Intimate documentary “Everybody Dance” beautifully showcases life-changing program for disabled dancers.
People who live with disabilities are often made to feel invisible. In fact, society in general considers people with disabilities to be disposable, many times not wanting to even be reminded of their existence, when all people who live with… Read More ›
Marianne Jean-Baptiste delivers a masterclass performance in Mike Leigh’s somber slice-of-life dramedy “Hard Truths.”
“I don’t understand you. But I love you.” These are key words said towards the climax of Mike Leigh’s Hard Truths, a somber slice-of-life film about two disparate sisters in a Black British family. Mike Leigh, a veteran indie darling… Read More ›
“Amadeus” still rocks at 40: Warner Bros. debuts exhilarating 4K restoration of the theatrical cut.
The ‘80s were a decade of decadence. Whimsical fashion, music, and media reigned pop culture. This was especially true with the films of the era. The year 1984 saw Warner Bros. release both Purple Rain, a semi-biographical concert film starring… Read More ›
“Old Guy” misses the mark on promises suggested by its premise and cast.
Old Guy, directed by Simon West (Lara Croft: Tomb Raider; Con Air; Expendables 2) and written by Greg Johnson (The Last Son), at least piqued my interest as an entertaining, silly, action movie with a cast that includes Lucy Liu… Read More ›
“Millers in Marriage” cranks family drama up to 11.
No matter what the subject matter at hand is, throwing it into a family dynamic automatically adds an additional level of intensity, uncomfortableness, and familiarity. Usually, the best versions of these dynamics focus on some terrible tragedy past or present… Read More ›
Ethics and morals, ambition and purpose are examined in the tense, journalism thriller “September 5,” now on home video.
When creating a film about the morality and ethics of journalism, centering a story around the Munich massacre of 1972 is an inspired choice. September 5 (2024), co-written and directed by Tim Fehlbaum (The Colony), is a film about an… Read More ›
Dark comedy “Timestalker” deconstructs tropes of love and romance.
As a child of the ‘90s, fantasy tales of romance have always felt like the coziest of blankets. Could it be that true love always won in the end? Or, having existed in a world filled with divorce, addiction, and… Read More ›
Bring “Wicked” home in a stunning 4K Blu-ray loaded with special features.
Back in 2003, I had the pleasure (much like the rest of New York) of getting to see a new musical called Wicked. In the mind of this then-13-year-old, seeing a story about a misunderstood witch from the land of… Read More ›
Jesse Eisenberg’s sophomore directorial feature, “A Real Pain,” is available on digital ahead of its physical release.
There’s this strange compulsion by many to respond to someone’s discomfort with “everyone has problems.” Whatever the intention, all it ever does is minimize what a person is feeling with the implication that “why should someone be feeling badly about… Read More ›
“Like Father Like Son” lacks tension in its attempt to challenge its audience.
Trigger Warning: Like Father Like Son utilizes frequent use of unexpected fast cuts with visual imagery accompanied by white flashes which may disturb photosensitive viewers. What makes a killer a killer? For centuries, this question has been asked by plebs… Read More ›
“Studio One Forever” is a “Celebration of Life” for historic West Hollywood club.
It’s an important rite of passage for each generation to mourn the loss of the cultural norms and trends that defined its youth. Unfortunately, this mourning usually manifests as some iteration of the tone-deaf and demeaning phrase, “Kids today will… Read More ›